howtobeaheartbreaker

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

It's very interesting to hear the discourse about Marina being political in her music because it feels like most people mark it as a distinction that happened somewhere later into her career, but I felt like one of the things that astounded me about her sound back in the early 2010s was her outspokenness. For me personally, I think what's changed is that her lyrics feel so on the nose nowadays. Electra Heart is an explicitly feminist album, and TFJ is very critical of popular culture in the West (and how that affected coming of age of a millennial woman). It feels almost as if her life has ran out of the drama that fueled EH/TFJ, and she has to now draw upon those impersonal experiences in her songwriting to make vague statements about the human race and far away countries. FROOT was a good album, and L+F was kind of faceless, but both albums feel like she held back as a means to prove (perhaps to herself?) that she's no longer that crazy girl wearing the blonde wig, masquerading as a Stepford wife. Ancient Dreams on the other hand felt like an attempt to recapture the drama of her earlier career, though that felt very transparent and it didn't quite meet those expectations. I think that the best thing for Marina to do is surround herself with interesting people and experience life at its fullest, and that's when we'll get music that reaches her early days. I truly believe that Marina's career could re-peak again, but that's up to her. She's seemed to have settled down, so I'm expecting the best we'll get is a cute bop on a mid album here and there. That's fine. After the pain she went through that fueled TFJ/EH, I don't blame her for safeguarding herself. Though sometimes I do fear her insecurities have burnt bridges (cc: familiar FROOT)...

Radioactive is still the best song she's ever made

lyric or not it’s not acceptable to be using a word that is not meant for you to use. hope this helps! 
weird how there’s a bigger issue going on and you guys want to focus on the part where i think caroline is weird for typing that.. get help 😭

i wonder if that certain producer she’s talking about on her brat account is dr. puke 

not her admitting to not listening to any carly album 

I hope we see Mura Masa come back for this XCX6, Also desperate for Jai Paul to do something with Charli, Absolutely desperate for Jai Paul production with Charli on it

1 year since this profound moment in history

They should have got charli to sing stay away during the coronation 

she says she has east coast dates planned…praying for boston but its prob just a run of shows in nyc

Her saying it’s not finished and there’s no release date basically confirming it’s finished and she has a release date ready iktr! 

It was very Miley giving us nothing for season 4 of Hannah Montana
 
edit: can someone also post actual screenshots of the 360 brat posts? Very dirty to not be accepted automatically for requesting before and I missed the public window by 56 seconds 😒

imagine explaining to charli how multiple versions of a self-titled scrap leaking caused a fan to use slurs on a lana fansite

Can we at least find out what the proposed titles for the Yung Lean + Bladee / unused Rina collabs were, my soul needs this kind of peace