Vertimus

The song is out at midnight in your time zone.  
 
do NOT ask for a link/dm/source for the song, asking for links to music that is to be released is against the rules and will result in a warning point 

Thank you. I love American, so that's a plus for me. I hope we all hear it before too long. 

If Lana is thinking about a return to any of her pre-NFR! sound after Lasso, I'm for it. I did appreciate the more uptempo songs on OB--I still feel Taco Truck was a missed opportunity--and BBS from BB.                
 
Rick Nowels did some amazing work with her. I prefer his work with her to JA's overall. 
 
And if she's feeling up to some pure pop, terrific. There's nothing wrong with lightening up a bit.
 
I was just listening to Making Out yesterday and it's still powerful, fun, and amazing. I love the Hollywood sound too.    

If Lana is thinking about a return to any of her pre-NFR! sound after Lasso, I'm for it. I did appreciate the more uptempo songs on OB--I still feel Taco Truck was a missed opportunity--and BBS from BB.                
 
Rick Nowels did some amazing work with her. I prefer his work with her to JA's overall. 
 
And if she's feeling up to some pure pop, terrific. There's nothing wrong with lightening up a bit.
 
I was just listening to Making Out yesterday and it's still powerful, fun, and amazing. I love the Hollywood sound too.    

Thank you. I love American, so that's a plus for me. I hope we all hear it before too long. 

I believe HIAB to be her worst released song from every angle, so I can't agree.
 
For me, it's Cola. 
A-men. 
 
A-men again. THAT is the classic LDR sound! 

Thank you. I love American, so that's a plus for me. I hope we all hear it before too long. 

That's exactly how I feel and why it's my most-played and favorite of Lana's albums. There's a pure serenity to a lot of the newer tracks.
 
And unlike on OB, where several of the tracks seem half-baked, repetitive (TJF and Fishtail, for example), or fractured, on BB the songs seem whole and fleshed out. To me. 
 
I haven't tired of listening to it yet, not since its release. 

That's exactly how I feel and why it's my most-played and favorite of Lana's albums. There's a pure serenity to a lot of the newer tracks.
 
And unlike on OB, where several of the tracks seem half-baked, repetitive (TJF and Fishtail, for example), or fractured, on BB the songs seem whole and fleshed out. To me. 
 
I haven't tired of listening to it yet, not since its release. 

It's one of her most beautiful, peaceful, serene songs and also shows strength. 

It's one of her most beautiful, peaceful, serene songs and also shows strength. 

I think she just does whatever she feels like and it's not more complicated than that. She probably doesn't need the money--depending on how she's spent or saved her millions--and she's not interested in chart-topping or competing with Taylor. She's already an artist's artist and on her way to becoming a music industry legend based on the effectiveness of her songwriting and the number of great songs she's composed.  
 
I find it funny that anyone would find her post-NFR! career boring, as, for me, it's NFR! that's boring, except for a few tracks, though I do think OB is a complete mixed bag, a real smorgasbord, and definitely not her best. 
 

Understood. I still love VFR and IFLDWM, they’re still two of my Top 5 of all her tracks. But it is OB that I don’t care, and I place it at the very bottom of her music catalog. 

I agree, and I like her for the same reason, among other reasons.
 
If she were going to play the industry game, she would have been churning out copies of BTD ever since, or using that template repeatedly.
 
UV was obviously a big break with BTS/P, and I don't think she's ever looked back. 
 
She said her mother called her a chameleon soul. And we know Lana Del Rey is a stage name and persona, like Nico, Melanie, or Madonna. Who knows if we've ever heard the true, authentic voice of Elizabeth Grant, or if Elizabeth Grant wants to share that voice with the public. She's a Cancer, she's super-guarded and self-protecting. 
 
As I see it, all of that frees her to do whatever she wants musically, whenever she wants. I can't think of any other musical artist who has jumped genres or given a middle finger to the idea of consistency the way Lana has. Maybe only Linda Ronstadt that I can think of, but Linda was/is largely an interpreter of other people's songs. 

I think she just does whatever she feels like and it's not more complicated than that. She probably doesn't need the money--depending on how she's spent or saved her millions--and she's not interested in chart-topping or competing with Taylor. She's already an artist's artist and on her way to becoming a music industry legend based on the effectiveness of her songwriting and the number of great songs she's composed.  
 
I find it funny that anyone would find her post-NFR! career boring, as, for me, it's NFR! that's boring, except for a few tracks, though I do think OB is a complete mixed bag, a real smorgasbord, and definitely not her best. 
 

I agree, and I like her for the same reason, among other reasons.
 
If she were going to play the industry game, she would have been churning out copies of BTD ever since, or using that template repeatedly.
 
UV was obviously a big break with BTS/P, and I don't think she's ever looked back. 
 
She said her mother called her a chameleon soul. And we know Lana Del Rey is a stage name and persona, like Nico, Melanie, or Madonna. Who knows if we've ever heard the true, authentic voice of Elizabeth Grant, or if Elizabeth Grant wants to share that voice with the public. She's a Cancer, she's super-guarded and self-protecting. 
 
As I see it, all of that frees her to do whatever she wants musically, whenever she wants. I can't think of any other musical artist who has jumped genres or given a middle finger to the idea of consistency the way Lana has. Maybe only Linda Ronstadt that I can think of, but Linda was/is largely an interpreter of other people's songs. 

I agree, and I like her for the same reason, among other reasons.
 
If she were going to play the industry game, she would have been churning out copies of BTD ever since, or using that template repeatedly.
 
UV was obviously a big break with BTS/P, and I don't think she's ever looked back. 
 
She said her mother called her a chameleon soul. And we know Lana Del Rey is a stage name and persona, like Nico, Melanie, or Madonna. Who knows if we've ever heard the true, authentic voice of Elizabeth Grant, or if Elizabeth Grant wants to share that voice with the public. She's a Cancer, she's super-guarded and self-protecting. 
 
As I see it, all of that frees her to do whatever she wants musically, whenever she wants. I can't think of any other musical artist who has jumped genres or given a middle finger to the idea of consistency the way Lana has. Maybe only Linda Ronstadt that I can think of, but Linda was/is largely an interpreter of other people's songs. 

I think she just does whatever she feels like and it's not more complicated than that. She probably doesn't need the money--depending on how she's spent or saved her millions--and she's not interested in chart-topping or competing with Taylor. She's already an artist's artist and on her way to becoming a music industry legend based on the effectiveness of her songwriting and the number of great songs she's composed.  
 
I find it funny that anyone would find her post-NFR! career boring, as, for me, it's NFR! that's boring, except for a few tracks, though I do think OB is a complete mixed bag, a real smorgasbord, and definitely not her best. 
 

I agree, and I like her for the same reason, among other reasons.
 
If she were going to play the industry game, she would have been churning out copies of BTD ever since, or using that template repeatedly.
 
UV was obviously a big break with BTS/P, and I don't think she's ever looked back. 
 
She said her mother called her a chameleon soul. And we know Lana Del Rey is a stage name and persona, like Nico, Melanie, or Madonna. Who knows if we've ever heard the true, authentic voice of Elizabeth Grant, or if Elizabeth Grant wants to share that voice with the public. She's a Cancer, she's super-guarded and self-protecting. 
 
As I see it, all of that frees her to do whatever she wants musically, whenever she wants. I can't think of any other musical artist who has jumped genres or given a middle finger to the idea of consistency the way Lana has. Maybe only Linda Ronstadt that I can think of, but Linda was/is largely an interpreter of other people's songs. 

I agree, and I like her for the same reason, among other reasons.
 
If she were going to play the industry game, she would have been churning out copies of BTD ever since, or using that template repeatedly.
 
UV was obviously a big break with BTS/P, and I don't think she's ever looked back. 
 
She said her mother called her a chameleon soul. And we know Lana Del Rey is a stage name and persona, like Nico, Melanie, or Madonna. Who knows if we've ever heard the true, authentic voice of Elizabeth Grant, or if Elizabeth Grant wants to share that voice with the public. She's a Cancer, she's super-guarded and self-protecting. 
 
As I see it, all of that frees her to do whatever she wants musically, whenever she wants. I can't think of any other musical artist who has jumped genres or given a middle finger to the idea of consistency the way Lana has. Maybe only Linda Ronstadt that I can think of, but Linda was/is largely an interpreter of other people's songs. 

I agree, and I like her for the same reason, among other reasons.
 
If she were going to play the industry game, she would have been churning out copies of BTD ever since, or using that template repeatedly.
 
UV was obviously a big break with BTS/P, and I don't think she's ever looked back. 
 
She said her mother called her a chameleon soul. And we know Lana Del Rey is a stage name and persona, like Nico, Melanie, or Madonna. Who knows if we've ever heard the true, authentic voice of Elizabeth Grant, or if Elizabeth Grant wants to share that voice with the public. She's a Cancer, she's super-guarded and self-protecting. 
 
As I see it, all of that frees her to do whatever she wants musically, whenever she wants. I can't think of any other musical artist who has jumped genres or given a middle finger to the idea of consistency the way Lana has. Maybe only Linda Ronstadt that I can think of, but Linda was/is largely an interpreter of other people's songs. 

I think she just does whatever she feels like and it's not more complicated than that. She probably doesn't need the money--depending on how she's spent or saved her millions--and she's not interested in chart-topping or competing with Taylor. She's already an artist's artist and on her way to becoming a music industry legend based on the effectiveness of her songwriting and the number of great songs she's composed.  
 
I find it funny that anyone would find her post-NFR! career boring, as, for me, it's NFR! that's boring, except for a few tracks, though I do think OB is a complete mixed bag, a real smorgasbord, and definitely not her best. 
 

I think she just does whatever she feels like and it's not more complicated than that. She probably doesn't need the money--depending on how she's spent or saved her millions--and she's not interested in chart-topping or competing with Taylor. She's already an artist's artist and on her way to becoming a music industry legend based on the effectiveness of her songwriting and the number of great songs she's composed.  
 
I find it funny that anyone would find her post-NFR! career boring, as, for me, it's NFR! that's boring, except for a few tracks, though I do think OB is a complete mixed bag, a real smorgasbord, and definitely not her best. 
 

I think she just does whatever she feels like and it's not more complicated than that. She probably doesn't need the money--depending on how she's spent or saved her millions--and she's not interested in chart-topping or competing with Taylor. She's already an artist's artist and on her way to becoming a music industry legend based on the effectiveness of her songwriting and the number of great songs she's composed.  
 
I find it funny that anyone would find her post-NFR! career boring, as, for me, it's NFR! that's boring, except for a few tracks, though I do think OB is a complete mixed bag, a real smorgasbord, and definitely not her best. 
 

I think she just does whatever she feels like and it's not more complicated than that. She probably doesn't need the money--depending on how she's spent or saved her millions--and she's not interested in chart-topping or competing with Taylor. She's already an artist's artist and on her way to becoming a music industry legend based on the effectiveness of her songwriting and the number of great songs she's composed.  
 
I find it funny that anyone would find her post-NFR! career boring, as, for me, it's NFR! that's boring, except for a few tracks, though I do think OB is a complete mixed bag, a real smorgasbord, and definitely not her best.