rhubysyrup

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

before 4:17 - the good
after 4:17 - the bad and the ugly (with trap beats)
herself and the music
 
the melody played at the interlude is from the soundtrack of the movie "The Good, the Bad and the Ugly" (titled "The Trio" like the interlude)
 
just my thoughts
 

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

Loving you isn't right,
Black leather moonlight,
I give in.
Loving you isn't right,
It's original sin.
 
vs
 
Try hard to remember the beach
Blue water from the sea, hands all over me
Tattoos, they were glistening
It's been so long since someone made me different 

I feel like the extended drum outro of Chemtrails title track was low-key intended to be an interlude, it allowed Tulsa Jesus Freak to start playing and it flows nicely,The trio-BBS Is a more intense and apparent version of that which she may have been aiming for in COCC. I really like this whole instrumental interlude+bop track thing she's doing in her albums

text book's instrumental are so haunting and pretty 

text book's instrumental are so haunting and pretty 

text book's instrumental are so haunting and pretty 

only 3 weeks to go tomorrow 

i think these types of posts are what makes pre release threads an exciting experience. removing them in favor of the occasional « x days left » or the tired « piano flop » discourse is such a buzzkill and will only bore everyone to death 

hot fire hot weather hot coffee i'm better

text book's instrumental are so haunting and pretty 

text book's instrumental are so haunting and pretty 

text book's instrumental are so haunting and pretty