Jeanne Dielman

With the description of the album being wild & adventurous , a rollercoaster of dark beserk & vulnerable fragile songs wheeew this info just settling down in my small brain
We are not prepared & ready for this album,  this is gonna be such collapse 
Lemme write my will I'm afraid I will die & collapse on March 10th 

I'm obsessed with the description that she goes 
She really wasn't lying in the W Magazine interview 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

Kintsugi means “golden joinery,” which comes from repairing broken pottery with lacquer and gold. Kintsugi teaches us that even though things may be damaged, they are still valuable and have meaning. 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

thinking on how she repeats “I couldn’t handle it” multiple times in different tones… fingertips is coming for blood me fears

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

Track 12 is probably the one with the very long title (GPSOTSOMFWHDSF). There's an ocean/marine/sea reference + Lana allegedly confronts those who have criticised her + it's BOZ's favourite or second favourite (after A&W) track on the album and he considers it to be one of her very best in general. 
 
Track 8 is a real head-scratcher though. We know nothing about it except for the fact that Lana and Jack co-wrote it. 

GPSOTSOMFWHDSF
 
Gonna put some of the sauce on my food while he drinks some Fanta
 
BITCH I GOT ITTTT 

The tagged one (felt true when doing it, I couldn't handle it) is the only one that gets recognized, the other one seems to be an early demo.

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major. 
 
 
 

A few thoughts on the tea we received yesterday:
 
First of all, I'm very excited about the "brain-frying" pastor interlude, lol. The eerie unsettling background music is giving LA Who Am I To Love You instrumentals, tbh. Lana giggling and whispering, while the pastor is screaming his lungs out is another bizarre and disturbing detail. And the interlude is placed right after three explicit tracks, with A&W apparently being very wild both sonically and lyrically. I mean, BOZ doesn't even skip it. I wonder if it unintentionally (?!) exposes the pastor's clownery. BOZ told us that Lana's looking for guidance, so the interlude being track 5 probably means that the pastor has failed her.  
 
I'm genuinely gagged by the fact that she kinda bookmarks Candy Necklace with two (?!) interludes, lol. It's such a strange decision, and I wonder why the interlude featuring Jon Batiste would be so controversial/difficult to listen to. Is it just an audio clip of the two of them having a random conversation? Because I'd be surprised if a track by Batiste would be sonically divisive, unless it's a bizarre and borderline unlistenable/potentially cacophonous jazzy outro to Candy Necklace. In a way, the interludes might help the tracks surrounding them (A&W, Candy Necklace, and Track 8) stand out even more - perhaps this is Lana's point. Or they somehow fit in narrative-wise. A&W will surely be a highlight in her discography according to all our info so far, and the Candy Necklace snippet sounds kinda eerie (and it's the only track that she actually teased, so it must quite important for Lana). 
 
Sweet being this album's Love song is exactly what I was hoping for, lol. I was scared that we'd get another Beautiful based on the writing credits!
 
I am thrilled about the AK composition. He's so talented, and @Kintsugi implying that it'll be the Cinnamon Girl/Tulsa Jesus Freak-esque track of the album is very promising. I'm sure that Track 14 will be a moment. 
 
Very excited about Track 11, as well. BOZ mentioned multiple times that the FJM "collaboration" (well, apparently he's getting Snowonthebeach'd, lol) is a highlight and an amazing track, and it also features the RIOPY sample, so, yeah, this is going to be good. BOZ also hyped Track 10 (feat. SYML's composition), and Track 12 (the one with the long ass title) is supposedly BOZ's favourite (or second favourite after A&W) track on the album and one of her best tracks ever. And he also said that Fingertips is stunning...Well, Side C will be that bitch. 
 
Oh, and I knew that she'd deliver a fantastic closing song this time around. A "one for the books" 5:53 closer with an outstanding outro? Yes, ma'am! 
 
I don't know. This album sounds major.