wilting daisy

For me:
1st
BTD (transition from Lizzy Grant to LDR)
UV (raw, vulnerable, fan fave)
HM (more personal, underdog in fandom)
 
2nd
LFL (transition to old Lana to new Lana)
NFR (raw, vulnerable, fan fave)
COTCC (underdog in fandom, kinda personal)
 
3rd
BB (transitioning point)
Ocean Blvd (raw, vulnerable, fan fave)
 
And for me:
Paradise = Violet

Lol I remember at the Quebec show she was like, “I know we have an attention span of one minute, but…” when talking about the video and introducing Candy Necklace. The Tik Tokification of fans is real. 

God. This fandom and it’s entitlement are unbearable.
 
”you do what you want instead of pleasing us”
Is that not the literal reason why we are fans of Lana? because she doesn’t sell out and is authentic?

Truly one of her best videos so I get her frustration  It's not really a music video though, it needs to be properly focused on like a film to be appreciated.

i personally like cohesive albums, but i don't mind less cohesive ones as well, they offer way more variety which is also a very good thing! for me i think it really depends on the mood i'm in and what i want to listen to in that specific moment, so honestly, whatever LDR10 will be like, i will eat it up either way

Cohesiveness is overrated

the vault tracks sre the only thing that gets me excited for the taylors versions and the only reason i purchase the records. and yeah swifties act like if you listen to the originals you're betraying taylor but like she still makes money off the originals and there's plenty of artists who don't own their music but you're not expected to boycott it oit of aome weird solidarity

the vault tracks sre the only thing that gets me excited for the taylors versions and the only reason i purchase the records. and yeah swifties act like if you listen to the originals you're betraying taylor but like she still makes money off the originals and there's plenty of artists who don't own their music but you're not expected to boycott it oit of aome weird solidarity

I will listen to everything this woman releases. There is always something interesting in her music.

does have a nice ring to it

I think someone else said this, but I would love a song with David Kahne again. Like, his production is some of my favorite and I would like to see what he could do with Lana now. Maybe something like pawn shop blues since that seems like the direction she could take again, or maybe we could be surprised and get something like mermaid motel for all i know! I know it won't happen, but I just would like to see what they could do together now.

I like it too.
Some chaotic instrumentals/noises with smashing lyrics and dark energy, with a hint of despair.
I love the shift in A&W, leading to the second part of the song. It sounds like she resigned herself to sink into madness. 
 
I would like having more songs like this but I admit it wouldn't have the same impact if it wasn't surrounded by some more classical and poetic songs.
Some songs for the beauty, some for the madness. I love this combination.

oh im sure shes never letting the songwriting rest, she loves being a poet probably even more than being a musician 

Wasnt OB kinda like that?  

the vault tracks sre the only thing that gets me excited for the taylors versions and the only reason i purchase the records. and yeah swifties act like if you listen to the originals you're betraying taylor but like she still makes money off the originals and there's plenty of artists who don't own their music but you're not expected to boycott it oit of aome weird solidarity

the vault tracks sre the only thing that gets me excited for the taylors versions and the only reason i purchase the records. and yeah swifties act like if you listen to the originals you're betraying taylor but like she still makes money off the originals and there's plenty of artists who don't own their music but you're not expected to boycott it oit of aome weird solidarity

i only play the taylors version if i'm in the mood to listen to the vault tracks too. otherwise, i always listen to the original one bc its a classic and the taylors version one sounds so phoned in. like out of all her tv albums so far its definitely the worst imo. 

same and i hate how swifties are so dramatic about the original versions saying it’s unethical to listen to and we’re terrible people. the originals are always superior, the way her voice sounds younger and more emotional fits with the lyrics better. i anticipate the rep re-recorded songs to not have as drastic of a difference since that album had her mature voice already. i’m most excited for rep/1989 vault tracks and don’t think i’ll even bother with the debut ones lol

i only play the taylors version if i'm in the mood to listen to the vault tracks too. otherwise, i always listen to the original one bc its a classic and the taylors version one sounds so phoned in. like out of all her tv albums so far its definitely the worst imo. 

I’m sorry but I just listened to the original version of Red for the first time in a long while and…they really butchered it for TV. 

im such a slut for her chaotic songs
 
(ex. Shades of Cool bridge, West Coast outro, Venice Bitch instrumental, Black Bathing Suit outro, A&W sample/climax/background noises, surf rock Peppers chorus, Dealer screaming, etc.)
and Zodiac sounds like it would fit in this list,
so ig what im saying is...
 
leak zodiac and pls have lana do something crazy on the next album

I'd really love LDR10 to lyrically and sonically sound like Coachella and have features like Nikki Lane and Stevie Nicks again. A return to craft if you will. Coachella is really underrated and I think a folk melody with harder trap beats would sound very nice with Nikki and Stevie's husky smoker rasps. AND Lana's songs like Coachella with her deepest and most well-thought-out messages are always amongst her best IMO  

you're right, her albums don't tend to have even a couple duds 

you're right, her albums don't tend to have even a couple duds 

you're right, her albums don't tend to have even a couple duds