wilting daisy

catholic psychedelic synth folk of course 
 
that or hawaiian glam metal 

catholic psychedelic synth folk of course 
 
that or hawaiian glam metal 

catholic psychedelic synth folk of course 
 
that or hawaiian glam metal 

catholic psychedelic synth folk of course 
 
that or hawaiian glam metal 

When Lana recorded the album at the Waffle House and the opener starts with when I was a waitress wearing a blue dress then what?

I don’t know why you’re looking at those other girls, I’m delicious 

Based off of what she said, it seems having collabs really inspires her and having people to bounce ideas off of, especially in a time where she wasn’t feeling creative and didn’t want to go to the studio. She said she is kinda out of that slump now so idk if she will continue having more collabs because she likes them or if that is just what she needed to get her mojo back 
 
She talked about it a little in the W Mag interview and Interview May/the letter on Insta

i love that our insider this era is a waffle house employee

and we all win 
 
when she said hollywood leaked with the wrong production but she actually meant fine china then what... 

I really really wanna know what she thinks about those versions. Imagine waking up and seeing your songs leak with production you've never heard before 

when she opens LDR10 with "Lilacs in my mind all the time are blooming beautifully..." then what?

and includes the eclipse demanded version of fine china

When Patrick Warren makes his debut as a producer on LDR10 then what

Not to be negative but I feel like this thread will be dry for a very long time lol but let’s be delulu

I love those little Lana-isms, it lets another side of her shine through 

technically the entire album is unreleased and unleaked tho 

technically the entire album is unreleased and unleaked tho 

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

do you guys even like lana? 

honestly if the new album had say yes to heaven & fine china and maybe a few other unreleased like i talk to jesus but was mostly newly recorded stuff i wouldn't be mad. but then i'm in the minority who actually enjoyed blue banisters and thought the leaked songs fit into the album nicely. 

technically the entire album is unreleased and unleaked tho 

no matter who produces lana, she makes lana music. i don't think who produces a song mattwrs that much bc lana is in the drivers seat and won't let a producer change her vision these days. that being said, i'd love for her to work morw with jon batiste bc i feel like candy necklace and the interlude really felt like lightning striking and thwy work well together and his piano skills are crazy intense and i like the jazzy vibe he brings to the table. but i'd also like to see her work with zach dawes more bc he always brings this rough southern folk rock energy to the songs they've done together and i'd love an album with a lot more of that. also i'd be thrilled for more jack and rick. they've both more than proved themselves as worthy producers for lana who we know listen to her and understand her vision and i wouldn't mind a full album of half jack and half rick. and obviously i'm supportive of her working with any new producers too. as i've said at the end of the day it doesn't really matter who produces lana and as we see time and again is that thw music lana chooses to make has nothing to do with who produces her. i trust lana's vision no matter what it is.

technically the entire album is unreleased and unleaked tho 

technically the entire album is unreleased and unleaked tho