venicebeotch

not to be rude but this is not it - listen to what she said in her caption/poem (salamander). she’s not cosplaying as a poet, she’s a literal poet. like by definition lmao. you can not care about reviews but still be bummed if you don’t get the reviews you were hoping for, it makes sense to me. at the end of the day, while i’m sure she’s grateful for us, she owes us nothing and she should make the art that feels true to her. most of us can tell the art is genuine and that’s all that matters. i would never want her to make “bops” just for the sake of appeasing *some* fans - that would suck as an artist. if you’re only in it for the bops, why are you here lmao that comment is a super unfair take

Some of you needs to learn how to shut the fuck up 

I feel like we can't expect initial acclaim to this album. To critics reviewing after one listen there's a huge chunk of the album (interludes, Kintsugi, Fingertips) that is just so inaccessible to a casual listener. I feel like if she really wanted NFR level acclaim she would've just took these off the album and released K/F as a double single, the rest of the album would've still been as long as her others.

"cosplay as a poet" bro's obviously never heard the ride monologue.

did anyone other than me actually read the gigwise review? it was like a mix between praise and a critique on how the industry reviews music, so interesting 

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too 

"cosplay as a poet" bro's obviously never heard the ride monologue.

"cosplay as a poet" bro's obviously never heard the ride monologue.

girl...

did anyone other than me actually read the gigwise review? it was like a mix between praise and a critique on how the industry reviews music, so interesting 

i see the vision fr.

did anyone other than me actually read the gigwise review? it was like a mix between praise and a critique on how the industry reviews music, so interesting 

The NME review has me contemplating (god) this album in the sense that
 
I personally see Norman - Chemtrails - Ocean as a trilogy of albums. Some could even look at Norman as the past (past love, reminiscing, youthful hope), Chemtrails as the present (for its time, the press of Chemtrails was soaked in current events [covid mask, question for the culture, etc] and built during the confusion of the pandemic (a very present threat at the time, which affected her lyricism), and Ocean as the future (obviously because the entire main theme of the tunnel is about longevity & being remembered into the future).
 
Thoughts? lol

did anyone other than me actually read the gigwise review? it was like a mix between praise and a critique on how the industry reviews music, so interesting 

why so negative?

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too 

BTD got mixed reviews and still was the most acclaimed album of 2010s and yet we are in 2023 getting angry over 4/5 reviews 

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too 

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too 

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too 

honestly if i released an album like this and didn't get at least a 4.5 id be pissed too