fantascination

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.

I just wanted to say this, and I have nowhere else to say it:
 
For me, Lana's music - especially Born to Die, Ultraviolence, and Honeymoon - is so nostalgic, and so evocative of my teenage years. It triggers those memories and those sensations for me in a way that nothing else does. I first discovered Lana in 2011, with the Video Games MV; I was 13 years old. I'm 23 years old now. I literally grew up with Lana and her music. 
 
I remember riding in my best friend's car when I sixteen years old, screaming the lyrics to Born to Die and Off to the Races, not really understanding what they meant back then, but, simultaneously, understanding exactly what they meant. I remember being sprawled out on my bed, drunk, listening to West Coast, feeling every inch of it in the marrow of my bones. I remember Honeymoon, and Art Deco, and The Blackest Day, and all of the things those songs made me feel.
 
Lana was an integral part of my childhood. An integral part of my formative years. And Blue Banisters feels like the ultimate cumulation of that; it feels, in a way, like we've grown and matured together. Here I am, ten years later, an adult who's seen so much and been so through so much in the last ten years. And I just feel like Blue Banisters reflects those feelings, and that maturation, so well.
 
I don't know. I'm drunk, and I'm probably being over-sentimental. But I can already tell that this album is going to be significant, and sentimental, to me.