TEMPORARY Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021

[thelastgirlonearth 1,551]

9 minutes ago, salvatore said:

my thoughts opinions are curtain calling themselves into the aether for repentance and vocalization following the slow digestion of this record on periodical repeat over the last few days and i think i'm of state of mind and currency to call forth my thoughts and opinions 

 

  Reveal hidden contents

to begin i listened to the album for the first time upon an overcast shroud of light a dimmering grey, lit aside with my candles and lavender incense warming up what in the room it could at the expense of an open window's current and i personally think this is the greatest setting to play such a record. sensible warmth in contrast of physical isolation and a constant reminder of how un-alone you truly are when with nature and mental company of memory

 

this album is one of her most experimental and i believe it is the most experimental, the convoluted melodies the reuse of instrumentation the delivery of lyrics and intents of a story made this very hard to digest, the songs i didn't care for i love. i love. and i love once more the cover is a tragedy and her personality and behavior has been nothing short of a tragedy as well but the result of artwork within a tumultuous interpersonal time is a grandiose one.

 

white dress- beautiful. breathtaking the timmering vocals and abstract lyricism is so gloomy and harrowed; the voice cracks against vaporizer cracks in such a ballad struck me vividly i cannot remember feeling this type of passion in a lana del rey song in a very long, long time. the entrance of sun stare/sun ra is magical she is beautiful. the delivery of men/in/music is awkward but i love it. this is lizzy grant appearing from a ghostly apparition telling her story in the body of elizabeth now, the minimizing herself with her deified ego when in the space of first-place recognition. The pride before the fall, she grasping of fools gold knowing what it's not while describing the beauty of what it could be, i love white dress as an opener, as a highlight, as a memoir. the dazed construction of delusion is so soft and blissful, hot and aridly cool

 

chemtrails over the country club- i don't care for this, i think it is lightly hypnotic and fun but i don't have any remarkable opinions on this, it is a song that is the title track and i cannot change that but for what it does i appreciate it for, the final 1/3 is probably my favorite, past the 'im in the wind/i'm in the water' and the 'i want you only' and the outro is trance-like. i wish it played into that idea more, the video is gorgeous however

 

tulsa jesus freak- i was not anticipating this to be good, as i was sure it'd be the most poppy/sexy song that people who crave that direction from her have to crave every single album and heighten to undeserving heights (freak, cherry, cinnamon girl etc.) and i wasn't entirely wrong but this song has more than i wanted to give it credit it for - the white hot forever refrain is sensual in the right way, shouted almost desperately in passionate yearning for reciprocated passion. the autotune is quite beautiful, the melody for the "kids in their hoodies they dance super slow" is fun and wavering, my biggest critique of this song (and probably chemtrails) is the direct link to Sean Larkin. it stains the music as much as g-eazy did LfL; at least someone like Chase or Joe was a fun little observation to draw from the artwork she created from it. 

 

let me love you like a woman- i hate this song it is one of my least favorite tracks from her in recent years since LfL, the sentiment is sweet and personal but i can't find much to say about this nicely, the oceanic production is the highlight for me (it relates itself back to mariners/greatest/other songs on here, i have ideas to combine them soon)

 

wild at heart- this was a harsh one on the first listen, i couldn't really keep up with it and the chorus felt reductive and annoying, but in context of the full record and relationship to NFR! i have grown to like this one a lot. a lot. it's like this bloodline child from NFR- the melody from love song, sylvia plath, the HtD production...it's kind of its own little statement and for that i appreciate it a lot, she's fun and true

 

dark but just a game- this one is good. super fucking cool, i love the production and lowdown feeling of everything, falling down the rabbit hole and smiling in the same breath, the 'sweet w-whatever baby' with the drums kicking in is electrifying, i don't love the chorus upturning into a positive sound, and it reminds me of 90s music and especially 'hello darkness my old friend' where the song starts off melancholic and cynical, but then immediately upturns into a happy sounding song, and i connect it to this a lot,  it almost has a beatles like sound to it which i don't mind. the song is complex and despite being highly anticipated it almost fell short of my desires, but at the same time created it's own lane and exceeded at that.

 

not all who wander are lost- originally i found this title to be ridiculous and bland, but the instrumentation is beautiful, and her vocals are syruped platinum. the bridge of lookat me lookat you is very cute...this is such a cute deepcut, it's one of those songs that i prescribe with bartender or tomorrow never came or old money where it might be overlooked, but as a deepcut it's incredible. if this was someone's favorite on the album i could not blame them for it, it is a very good song i never expected it to be

 

breaking up slowly- this is one of her best collaborations on a record, and i will die on this hill. the melody is beautiful and the song is a sweet short track that deserved it's place on the record, is it the best? no, but it never wanted to be. it's a campfire classic to me 

 

dance til we die- oh god i hated this on the first listen, i thought it was silent and jarring, the bridge being good and weird, super fucking weird. still very weird. the weirdest moment on the record to me and as i play it over and over again, i adore it? i adore it. it's so fun and sentimental. i still like tomorrow never came, but i understand more on how stupid the call out to sean was. this however? so tasteful and communal. in the way she mentions her artistic friends of laurel canyon hearing "im covering joni (with zella and weyes) and dancing with joan, stevie's calling on the telephone, court almost burned down my home' it's a love letter and immediately enlights memory and friendship with 6 of her contemporaries and inspirations. 

 

for free- this is sweet. i never much liked the song and thinks it's a bit simple for my taste but excellent as a song objectively. the cover is no exception that it's great and sweet, especially coming after dance til we die, it fulfills its purpose in the album. the climactic story of her beginnings and present-day end. for free. feeling like a god making music for free. committing to love and life in the album's mission statement- for free. believing in artistic integrity and appreciation- for free.

 

listening to this album. for free <3 

 

overall, i think this is undoubtedly in my top three. It might dethrone AKA and Honeymoon and easily kicked NFR! out of my top. my current ranking is volatile but generally looked like such

 

HM = AKA > NFR! > BtD = Paradise > Ultraviolence* > Lust for Life

 

I think Lust for Life has career highs, and songs i love more than anything on BtD, but i despise it

*Ultraviolence usually surpasses BtD but only when i'm in the mood for it, but i do love Shades of Cool, Pretty, West Coast, Brooklyn, etc. but it feels wrong to say i love UV? I dont know why honestly. but it's eh

 

 

Song rankings within the album

  Reveal hidden contents

I dont have a definitive listing, but my top two is white dress and yosemite. yosemite #1

 

White Dress- 5/5

Chemtrails- 3/5

Tulsa JF- 4/5

Let me Love- 1.5/5

Wild at Heart- 4/5

Dark, a game- 4.5/5

Wanderlust- 4.5/5

Yosemite-  <3

Breaking Up- 4/5

Til we die- 4.5/5

For Free- 4/5

 

Spoiler

what are ur thoughts on yosemite, did it live up to expectations?? 

 

[uvbabe 4,730]

2 minutes ago, ChaoticLipster said:

It’s an amazing cover

 

Spoiler

It's honestly so hauting. I wonder if Joni will ever hear it and what would she think about it? I think the three of them did a wonderful job, it feels so sweet and warm.

 

[littleredpartydress 49,872]

1 minute ago, salvatore said:

also! thoughts on the covers if anyone cares

 

  Hide contents

i'm disappointed the Neil Kruig cover isn't the official cover, and while I understand her vision and the connection, i still find it to be half-assed and sort of stupid the last 3 covers in her vision would've been candid behind-the-scenes shots of her filming music videos.

 

I appreciate the alternate cover for what it is, and how it relates to Norman.

 

Chemtrails being the less-cool, more nostalgiac sister record to Norman, in how Yosemite was to Architecture. Norman Fucking Rockwell! being overtly referential in the way the cuntish man was, thinking his poetry is hot shit, affected by the world news if it weren't- in the way her poetry played a role in that album and this one. Commenting on worldly affairs and the women around her as subjects in a story, nameless ladies and debutants of the canyons, not co-conspirators in the creation of her melody like she does in Chemtrails (except chemtrails the song. weirdly enough.)

 

Lana on the cover doused in neon, talking directly to the listener, hanging onto nameless man of hollywood bygone men, LAs in flames and the sky painted a mask over the smog in the air, not caring to understand it- but caring enough to acknowledge it in the same breath. Stickered with satirical comic book font, the absurdity of her career laid out in covers across media variations

 

Chemtrails cover could've been isolated, facing inward, retrospective and refusing to stare into the audience's gaze because this isn't about them. It's messy, it's dignified, chaotic and easy to misunderstand- easy to not understand at all if you don't want to. In a white dress on top of the foggy highland hills on the cusp of the same burning city lies the same state of mind in flux with itself, grasped by centuries-grown nature not polluted waters in a man-made bay. textless and dazed, forcibly vulnerable because that's all that could come from such. i adore this cover the most in her discography, and while black&white suits the colors of the record more, and the lazed love for her friends are shown in songs like Chemtrails/Like a woman/Dance til we die/For Free

 

Spoiler

agree x 1012930

 

the neil krug photo was not my favorite upon first sight, but hearing the music it matches so perfectly that i cannot believe she was not persuaded or literally forced by her managers to change it in the same way she was to change normans. 

 

 

 

[ChaoticLipster 24,618]

2 minutes ago, PARADIXO said:

 

  Reveal hidden contents

Well, firstly, Dark But Just a Game doesn't have any trap elements. What I can say right now is that I cannot believe it's everyone's favorite -- it's easily the worst produced track. The lyrics are a mess and a half, the mixing is demo-like and the beat is just as basic as it gets.

 

My opinion on DBJAG -

Spoiler

I think it’s gonna be the popular stand out track because it’s faster and has an interesting bridge, but I honestly think it’s gonna drop like a stone in popularity and White Dress, Yosemite will reign supreme. 

 

[PARADIXO 32,943]

2 minutes ago, littleredpartydress said:

  Hide contents

agree x 1012930

 

the neil krug photo was not my favorite upon first sight, but hearing the music it matches so perfectly that i cannot believe she was not persuaded or literally forced by her managers to change it in the same way she was to change normans. 

 

 

 

 

Spoiler

This, plus the album is very 90s and totally fits the obscure 90s alt rock aesthetic of the Neil Krug photo 

 

[Atlantis 379]

Spoiler

verses - wild on you 

chorus - angels forever 

bridge - velvet crowbar 

The way she sings in Dance Till We Die reminds me of these songs:

[ShadesOfFool 20,139]

28 minutes ago, VeniceBiatch said:

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hot take: DBJAG is not going to age well. there's always that one song that everyone hypes up because it has a trap beat (Ex. cherry, cinnamon girl, freak) but in retrospect, they're really not top tier and they become stale after a while.  

 

who agrees? 

you're a BUM 

 

[lizzyschemtrails 2,832]

Are we thinking she’s going to drop the White Dress music video tomorrow? 

[salvatore 21,769]

yosemite deserved it's own  @Contemplating Godhow dare U

 

Spoiler

yosemite- i lied above. i listened to the entire record with the incense and the breeze but yosemite i saved, i saved until the dead of night, and drove to an observatory be alone in my car outlooking the silent city sparkling on cliffside, engulfed in pines and hibernating wildflowers and i played yosemite on repeat for 45 or so minutes staring silently into the dead. this song is everything i've ever wanted. it's what kept me alive in a year i tried my best not to be and i built a fun following around it, i emailed interviewers, writers, tried to find photographers and collected every bit of information of the song i could. bought magazines that referenced yosemite, i did an entire paper around Yosemite by John Muir. I have two shirts from the 70s referencing yosemite, i've stumbled upon bottle openers from the park out in the roads where i'd walk alone at night hoping i'd be at the wrong end of a desperate persons violence for no reason other than trying to find feeling, yosemite is a lot to me and when we didn't get it in LfL i was heartbroken and decided to crave it more than ever before

 

upon her interview of MAC/VB i knew Architecture was the theme of Norman. Even though the song said to not start the new record i felt she wouldn't give up the past title track of Lust for Life that easy, or at least her muse wouldn't. The description of norman as a cocky artist with an ego that needed settling, the rejected scraps of White Mustang's music video, it all felt too coincidental and i called it that Architecture would have inspired, or be on the album (i was right), following i felt Yosemite would come to fruition here, having Lust for Life be this disjointed parent record of Norman Fucking Rockwell, i figured it'd stay similar for 'White Hot Forever'; the attempts at social commentary, the deliverance into an acoustic side to her discography, they'd be messily glued on Lust for Life and then refound in their own spaces, and now they have been. and Yosemite is the song of Chemtrails.

 

The music itself is everything i had hoped, it was brooding, optimistic, enchanting, emotional and methodical. Her rescinding the song out of vocal vulnerability in the same breath she killed malibu out of fear of transparency found a funny way into an album full of airy and broken vocals. White Dress being a thread laced through Wild at Heart in the way it is through Yosemite through Dark through For Free. The a capella she sung in 2017 obviously didn't do it justice and how anyone thought it could was laughable and that is their own fault. Her voice here is gorgeous, the song writing is beautiful, the atmosphere created in this song is so . fucking. beautiful. I knew this song was my favorite she's ever made before hearing it and I've heard it and it's still the best song she's ever created. The bridge is like a god speaking through the sky in thundering tongues and lightning flares. The imagery i suspected years ago of desert-y folk songs you'd look out over the desert and see an impending storm rings true, this is the calm inside a storm, it's an ignorant and threatened peace. i see nothing but rainless storms and sharp winds light by the invincible glow of candlelight. Yosemite is immaculate, a highlight, and a mission statement for the record. It couldn't be without Chemtrails and Chemtrails couldn't be without Yosemite. 

 

She wasn't quite at yosemite in 2017, and being able to confidently proclaim enough that she could put a song about doing things for free on a record bookended with a memoir about making art for free, and a collaborative homage to a song about lovingly observing others making art for free is quite powerful. Her never mentioning Yosemite in the lyrics is powerful

 

Yosemite being the only 1-word song on this album is powerful. 

She's so powerful, and so very realized

 

[Atlantis 379]

Spoiler

COCC songs that I associate to HM songs:

white dress - god knows I tried

cotcc - honeymoon 

tjf - music to watch boys to/freak 

dark but just a game - religion

Yosemite - terrence/tbd

bus - 24

Dance till we die - swan song

for free - don’t let me be misunderstood

 

 

[honeybadger 40,620]

4 minutes ago, salvatore said:

yosemite deserved it's own  @Contemplating Godhow dare U

 

  Hide contents

yosemite- i lied above. i listened to the entire record with the incense and the breeze but yosemite i saved, i saved until the dead of night, and drove to an observatory be alone in my car outlooking the silent city sparkling on cliffside, engulfed in pines and hibernating wildflowers and i played yosemite on repeat for 45 or so minutes staring silently into the dead. this song is everything i've ever wanted. it's what kept me alive in a year i tried my best not to be and i built a fun following around it, i emailed interviewers, writers, tried to find photographers and collected every bit of information of the song i could. bought magazines that referenced yosemite, i did an entire paper around Yosemite by John Muir. I have two shirts from the 70s referencing yosemite, i've stumbled upon bottle openers from the park out in the roads where i'd walk alone at night hoping i'd be at the wrong end of a desperate persons violence for no reason other than trying to find feeling, yosemite is a lot to me and when we didn't get it in LfL i was heartbroken and decided to crave it more than ever before

 

upon her interview of MAC/VB i knew Architecture was the theme of Norman. Even though the song said to not start the new record i felt she wouldn't give up the past title track of Lust for Life that easy, or at least her muse wouldn't. The description of norman as a cocky artist with an ego that needed settling, the rejected scraps of White Mustang's music video, it all felt too coincidental and i called it that Architecture would have inspired, or be on the album (i was right), following i felt Yosemite would come to fruition here, having Lust for Life be this disjointed parent record of Norman Fucking Rockwell, i figured it'd stay similar for 'White Hot Forever'; the attempts at social commentary, the deliverance into an acoustic side to her discography, they'd be messily glued on Lust for Life and then refound in their own spaces, and now they have been. and Yosemite is the song of Chemtrails.

 

The music itself is everything i had hoped, it was brooding, optimistic, enchanting, emotional and methodical. Her rescinding the song out of vocal vulnerability in the same breath she killed malibu out of fear of transparency found a funny way into an album full of airy and broken vocals. White Dress being a thread laced through Wild at Heart in the way it is through Yosemite through Dark through For Free. The a capella she sung in 2017 obviously didn't do it justice and how anyone thought it could was laughable and that is their own fault. Her voice here is gorgeous, the song writing is beautiful, the atmosphere created in this song is so . fucking. beautiful. I knew this song was my favorite she's ever made before hearing it and I've heard it and it's still the best song she's ever created. The bridge is like a god speaking through the sky in thundering tongues and lightning flares. The imagery i suspected years ago of desert-y folk songs you'd look out over the desert and see an impending storm rings true, this is the calm inside a storm, it's an ignorant and threatened peace. i see nothing but rainless storms and sharp winds light by the invincible glow of candlelight. Yosemite is immaculate, a highlight, and a mission statement for the record. It couldn't be without Chemtrails and Chemtrails couldn't be without Yosemite. 

 

She wasn't quite at yosemite in 2017, and being able to confidently proclaim enough that she could put a song about doing things for free on a record bookended with a memoir about making art for free, and a collaborative homage to a song about lovingly observing others making art for free is quite powerful. Her never mentioning Yosemite in the lyrics is powerful

 

Yosemite being the only 1-word song on this album is powerful. 

She's so powerful, and so very realized

 

 

this made me cry. your power

[littleredpartydress 49,872]

5 minutes ago, salvatore said:

yosemite deserved it's own  @Contemplating Godhow dare U

 

  Reveal hidden contents

yosemite- i lied above. i listened to the entire record with the incense and the breeze but yosemite i saved, i saved until the dead of night, and drove to an observatory be alone in my car outlooking the silent city sparkling on cliffside, engulfed in pines and hibernating wildflowers and i played yosemite on repeat for 45 or so minutes staring silently into the dead. this song is everything i've ever wanted. it's what kept me alive in a year i tried my best not to be and i built a fun following around it, i emailed interviewers, writers, tried to find photographers and collected every bit of information of the song i could. bought magazines that referenced yosemite, i did an entire paper around Yosemite by John Muir. I have two shirts from the 70s referencing yosemite, i've stumbled upon bottle openers from the park out in the roads where i'd walk alone at night hoping i'd be at the wrong end of a desperate persons violence for no reason other than trying to find feeling, yosemite is a lot to me and when we didn't get it in LfL i was heartbroken and decided to crave it more than ever before

 

upon her interview of MAC/VB i knew Architecture was the theme of Norman. Even though the song said to not start the new record i felt she wouldn't give up the past title track of Lust for Life that easy, or at least her muse wouldn't. The description of norman as a cocky artist with an ego that needed settling, the rejected scraps of White Mustang's music video, it all felt too coincidental and i called it that Architecture would have inspired, or be on the album (i was right), following i felt Yosemite would come to fruition here, having Lust for Life be this disjointed parent record of Norman Fucking Rockwell, i figured it'd stay similar for 'White Hot Forever'; the attempts at social commentary, the deliverance into an acoustic side to her discography, they'd be messily glued on Lust for Life and then refound in their own spaces, and now they have been. and Yosemite is the song of Chemtrails.

 

The music itself is everything i had hoped, it was brooding, optimistic, enchanting, emotional and methodical. Her rescinding the song out of vocal vulnerability in the same breath she killed malibu out of fear of transparency found a funny way into an album full of airy and broken vocals. White Dress being a thread laced through Wild at Heart in the way it is through Yosemite through Dark through For Free. The a capella she sung in 2017 obviously didn't do it justice and how anyone thought it could was laughable and that is their own fault. Her voice here is gorgeous, the song writing is beautiful, the atmosphere created in this song is so . fucking. beautiful. I knew this song was my favorite she's ever made before hearing it and I've heard it and it's still the best song she's ever created. The bridge is like a god speaking through the sky in thundering tongues and lightning flares. The imagery i suspected years ago of desert-y folk songs you'd look out over the desert and see an impending storm rings true, this is the calm inside a storm, it's an ignorant and threatened peace. i see nothing but rainless storms and sharp winds light by the invincible glow of candlelight. Yosemite is immaculate, a highlight, and a mission statement for the record. It couldn't be without Chemtrails and Chemtrails couldn't be without Yosemite. 

 

She wasn't quite at yosemite in 2017, and being able to confidently proclaim enough that she could put a song about doing things for free on a record bookended with a memoir about making art for free, and a collaborative homage to a song about lovingly observing others making art for free is quite powerful. Her never mentioning Yosemite in the lyrics is powerful

 

Yosemite being the only 1-word song on this album is powerful. 

She's so powerful, and so very realized

 

[Poor Stacy 11,996]

2 hours ago, ArtDecoDelRey said:

i have a question for the people who have heard the leak in full (preferably multiple times)

 

If I go into the album with this sonic atmosphere/vibe, will I be dissapointed?

  Hide contents

oh say can you see

pawn shop blues

chelsea hotel no 2

i talk to jesus

wild on you

west coast radio mix

is this happiness

religion

beautiful people//beautiful problems

tomorrow never came

happiness is a butterfly

 

 

There's nothing on here as dry as BP,  BP or Religion but

yes, definitely on the right track.

[venicesnitch 107]

19 minutes ago, Atlantis said:

  Hide contents

COCC songs that I associate to HM songs:

white dress - god knows I tried

cotcc - honeymoon 

tjf - music to watch boys to/freak 

dark but just a game - religion

Yosemite - terrence/tbd

bus - 24

Dance till we die - swan song

for free - don’t let me be misunderstood

 

 

Spoiler

yesssss dark but just a game is so similar to religion to me! I'm not sure what it is exactly. I think there are a lot of similarities to honeymoon on this album for sure, so great post!

 

 

 

[sparklrtrailrheaven 9,063]

10 minutes ago, salvatore said:

yosemite deserved it's own  @Contemplating Godhow dare U

 

  Reveal hidden contents

yosemite- i lied above. i listened to the entire record with the incense and the breeze but yosemite i saved, i saved until the dead of night, and drove to an observatory be alone in my car outlooking the silent city sparkling on cliffside, engulfed in pines and hibernating wildflowers and i played yosemite on repeat for 45 or so minutes staring silently into the dead. this song is everything i've ever wanted. it's what kept me alive in a year i tried my best not to be and i built a fun following around it, i emailed interviewers, writers, tried to find photographers and collected every bit of information of the song i could. bought magazines that referenced yosemite, i did an entire paper around Yosemite by John Muir. I have two shirts from the 70s referencing yosemite, i've stumbled upon bottle openers from the park out in the roads where i'd walk alone at night hoping i'd be at the wrong end of a desperate persons violence for no reason other than trying to find feeling, yosemite is a lot to me and when we didn't get it in LfL i was heartbroken and decided to crave it more than ever before

 

upon her interview of MAC/VB i knew Architecture was the theme of Norman. Even though the song said to not start the new record i felt she wouldn't give up the past title track of Lust for Life that easy, or at least her muse wouldn't. The description of norman as a cocky artist with an ego that needed settling, the rejected scraps of White Mustang's music video, it all felt too coincidental and i called it that Architecture would have inspired, or be on the album (i was right), following i felt Yosemite would come to fruition here, having Lust for Life be this disjointed parent record of Norman Fucking Rockwell, i figured it'd stay similar for 'White Hot Forever'; the attempts at social commentary, the deliverance into an acoustic side to her discography, they'd be messily glued on Lust for Life and then refound in their own spaces, and now they have been. and Yosemite is the song of Chemtrails.

 

The music itself is everything i had hoped, it was brooding, optimistic, enchanting, emotional and methodical. Her rescinding the song out of vocal vulnerability in the same breath she killed malibu out of fear of transparency found a funny way into an album full of airy and broken vocals. White Dress being a thread laced through Wild at Heart in the way it is through Yosemite through Dark through For Free. The a capella she sung in 2017 obviously didn't do it justice and how anyone thought it could was laughable and that is their own fault. Her voice here is gorgeous, the song writing is beautiful, the atmosphere created in this song is so . fucking. beautiful. I knew this song was my favorite she's ever made before hearing it and I've heard it and it's still the best song she's ever created. The bridge is like a god speaking through the sky in thundering tongues and lightning flares. The imagery i suspected years ago of desert-y folk songs you'd look out over the desert and see an impending storm rings true, this is the calm inside a storm, it's an ignorant and threatened peace. i see nothing but rainless storms and sharp winds light by the invincible glow of candlelight. Yosemite is immaculate, a highlight, and a mission statement for the record. It couldn't be without Chemtrails and Chemtrails couldn't be without Yosemite. 

 

She wasn't quite at yosemite in 2017, and being able to confidently proclaim enough that she could put a song about doing things for free on a record bookended with a memoir about making art for free, and a collaborative homage to a song about lovingly observing others making art for free is quite powerful. Her never mentioning Yosemite in the lyrics is powerful

 

Yosemite being the only 1-word song on this album is powerful. 

She's so powerful, and so very realized

 

haven’t been reading spoilers... except this one <3 amazing

[PARADIXO 32,943]

@salvatore love you 

[Poor Stacy 11,996]

2 hours ago, TheCultureIsLit said:

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Does anyone else feel like they're standing alone in a vast overcast valley in Scotland when they listen to "Not All Who Wander Are Lost"?

...or is it just me? Lol

 

 

Not All Who Wander are Lost makes me feel like I'm here - a dry, hot summer day in a low key small town. I love how we're all transported some place different.

[White Hot Forever 4,223]

Spoiler

cuz I'm wild, wild at heart

 

[whiteroses 860]

the day we get the neil krug cover in hq will be the day society is fixed

[HunterSThompson 4,646]

Spoiler

I like NAWWAL more and more with each listen! The melody is simple but gorgeous. Honestly, I would love more songs like this!