ShadesOfFool

Nikki Lane gave us Breaking Up Slowly I won’t accept criticism of her

she's not that tech savvy lmao

Nikki Lane gave us Breaking Up Slowly I won’t accept criticism of her

Nikki Lane gave us Breaking Up Slowly I won’t accept criticism of her

There’s a 99% chance she’s telling us to go fuck our selves 

Nikki Lane gave us Breaking Up Slowly I won’t accept criticism of her

Nikki Lane gave us Breaking Up Slowly I won’t accept criticism of her

exactly
 

There’s a 99% chance she’s telling us to go fuck our selves 

YES... god i hate her ass so much  not as much as nikki lame tho 

yall... what did nikki lane even do 

start a music career, unfortunately  

There’s a 99% chance she’s telling us to go fuck our selves 

There’s a 99% chance she’s telling us to go fuck our selves 

white dress is dropping in nine hours and my nipples are rock hard 

white dress is dropping in nine hours and my nipples are rock hard 

When the world needed her most, she disappeared....

damn this n our countdowns aged WELL 

In my head, I feel like Ultraviolence and Honeymoon are kind of two halves of a whole experience. 
 
while she said Ultraviolence doesn’t have a specific narrative or through-line, the themes are consistent. It’s an album dripping with depression, heartbreak, drugs, and passion. There are some brighter moments (Brooklyn Baby and West Coast aren’t necessarily dark and broody) but those are just kind of cute songs. As a whole, this album is very dark and moody. It feels like a highlight reel of some of the worst moments in her life: estrangement and breakup with Barrie, abusive relationship in New York, looking back at failed relationships, her bad experiences in the industry, and a dependency on drugs and alcohol throughout. 
 
So if we take Ultraviolence as descending to her emotional rock bottom, I look at its follow up Honeymoon as her just kind of dwelling in that rock bottom, if that makes sense. I’m not gonna say she starts to look upward, cause tbh she doesn’t until Lust for Life (which is the whole point of that album). But the protagonist of Honeymoon is definitely a woman who is at her lowest. 
 
If Ultraviolence was a summation of her trauma and her sorrow, Honeymoon is her self-medication in their wake. Honeymoon carries similar themes to UV, but presents them almost in the past tense. She’s no longer singing about losing her baby, she’s singing about how she’s living since she’s lost him. He’s already gone. Now, she’s just fantasizing of a honeymoon she’ll never go on, listening to music and daydreaming while she people watches. She just wants to run away from her problems and get high by the beach. She has a new romantic interest, who she just wants to run away with, but the depression is still hovering over her. Despite the temporary highs she describes (drugs, sex, partying), she still feels like she doesn’t matter to anyone, she’s unlovable, and that she has nothing left to live for. 
 
so yes that’s my ramble on thematic/narrative connection between Ultraviolence and Honeymoon. 

In my head, I feel like Ultraviolence and Honeymoon are kind of two halves of a whole experience. 
 
while she said Ultraviolence doesn’t have a specific narrative or through-line, the themes are consistent. It’s an album dripping with depression, heartbreak, drugs, and passion. There are some brighter moments (Brooklyn Baby and West Coast aren’t necessarily dark and broody) but those are just kind of cute songs. As a whole, this album is very dark and moody. It feels like a highlight reel of some of the worst moments in her life: estrangement and breakup with Barrie, abusive relationship in New York, looking back at failed relationships, her bad experiences in the industry, and a dependency on drugs and alcohol throughout. 
 
So if we take Ultraviolence as descending to her emotional rock bottom, I look at its follow up Honeymoon as her just kind of dwelling in that rock bottom, if that makes sense. I’m not gonna say she starts to look upward, cause tbh she doesn’t until Lust for Life (which is the whole point of that album). But the protagonist of Honeymoon is definitely a woman who is at her lowest. 
 
If Ultraviolence was a summation of her trauma and her sorrow, Honeymoon is her self-medication in their wake. Honeymoon carries similar themes to UV, but presents them almost in the past tense. She’s no longer singing about losing her baby, she’s singing about how she’s living since she’s lost him. He’s already gone. Now, she’s just fantasizing of a honeymoon she’ll never go on, listening to music and daydreaming while she people watches. She just wants to run away from her problems and get high by the beach. She has a new romantic interest, who she just wants to run away with, but the depression is still hovering over her. Despite the temporary highs she describes (drugs, sex, partying), she still feels like she doesn’t matter to anyone, she’s unlovable, and that she has nothing left to live for. 
 
so yes that’s my ramble on thematic/narrative connection between Ultraviolence and Honeymoon. 

white dress is dropping in nine hours and my nipples are rock hard 

When the world needed her most, she disappeared....

your posts are always such an enigma

this is the only relevant TED talk