Sportscruiser

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

Her label/team’s strategy plan will spend money and resources on basement listening events for UK critics but leave the oceanblvd instagram unattended and delay the album for 2 weeks despite her documented history with leaks… hopefully the US critics will see this record for what it is.

You guys , fuck the critics (even though I also care a little )
If you want a basic bitch with 100’s on metacritic go the the Beverly center and find her (taylor swift) 

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

Rolling Stone, NY Times, All Music, and a few other ones. We still have around 20 reviews left in total.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

What other major publications besides Pitchfork still haven’t reviewed it?

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

What other major publications besides Pitchfork still haven’t reviewed it?

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.

That part of the Gigwise review that said some reviewers missed out entire tracks while going to the bathroom tells me everything we need to know about the integrity of music criticism. This isn’t an album that is easily digestible or catered to today’s frantic attention spans. It asks for time and open mindedness - which makes it the more rewarding the more time you spend with it.
 
It’s also kind of boring to see so many users still acting like music is divided in either beat-driven bangers or boring piano ballads and nothing else in between. A track like Grandfather is nothing alike Sweet or Paris Texas (for instance), they represent different things, go for different sonic soundscapes and even have Lana delivering different vocal performances. It can be a different frustrating to see people reducing this album to this or that when chances are it’s far richer than whatever box you’re trying to put it in. Give it time to sink in and wash over you. There’s an entire universe in this record and it’s a fascinating one, whether it entirely works for you or not.