Jeanne Dielman

Did you know that there was an UHQ laying on the Twitter Boulevard? 
 

Here's my current title track ranking:
Chemtrails
Honeymoon
Ocean Boulevard
Born To Die
NFR
Ultraviolence
Blue Banisters
Lust For Life

and mine!!
 
honeymoon
born to die (extremely close second)
ocean boulevard
nfr
ultraviolence
chemtrails 
bb
lust for life

OMGGGGGGGG!!!!!!!!!!!! I finally got to listen and I am completely floored, it's been ten times in a row and it's so clearly an absolute masterpiece, I feel so bad for the people who aren't hearing what the rest of us are.
 
The lyrics are truly phenomenal, some of her best ever. Once you realize the significance of the tunnel under Ocean Blvd it's just devastating, yet she still manages to weave in this warmth and catchiness throughout. This song is an obvious classic already, people will be moved by this song and still singing along in 100 years. It's as timeless as anything she's ever done, with such a deep and heavy weight to it that I'm honestly nervous for what this album is going to bring.

I love how the thunder background ladies are back I just love them so much 😭

i just wanted to say, this song pairs so nicely with buddy's rendezvous  try listening to ocean boulevard and then buddy's rendezvous, it's such a nice, jazzy vibe   

While the song has a lot of similarities to the songs you mentioned, I feel that the production, the build-up, the “don’t forget me” refrain and the overall mood make this stand out more. It translates an emotion through the lyrics and the delivery that the other songs do not. 

Ban her Thank you 

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

Cause most of us have good taste 

Her vocal work in this song is not being praised enough.
 
Her jazzy run during the second verse will end careers.

Lana simply drinking A&W Root Beer while recording the song, realizing that A&W are the initials of American Whore and then deciding to troll us. She's random like that.  I wonder if Antonoff's "@hollywood from hell" caption is related to this song btw.
 
Anyway, I have a feeling that the closer could be the "magical moment" song that they wrote back in April. It could be the one with the long ass title as well (similar to HIADT). 
 
I kinda hope that The Bleachers' contribution will be similar to SYML's (just a sample) or the pastor's (background Antonoff vocals or something, lol). Keep Father John Misty, Tommy Genesis and Jon Batiste on a verse or something though! 
 
 
 

Track 5 screams interlude to me. The pastor will probably give a speech in the background, Antonoff will put some ambient Violet-esque instrumentation, and Lana will sing a poem, as we move from the first segment of the album (tracks 1-4) to the middle segment with Batiste and the gospel/jazz realness. 
 
The Grants is an intriguing title. And it's the opening track. I absolutely hate Sweet; it brings Beautiful to mind (and it's an Erickson track, no less lol). A&W is interesting as well. I think it's the name of a restaurant. 
 
 

Lana simply drinking A&W Root Beer while recording the song, realizing that A&W are the initials of American Whore and then deciding to troll us. She's random like that.  I wonder if Antonoff's "@hollywood from hell" caption is related to this song btw.
 
Anyway, I have a feeling that the closer could be the "magical moment" song that they wrote back in April. It could be the one with the long ass title as well (similar to HIADT). 
 
I kinda hope that The Bleachers' contribution will be similar to SYML's (just a sample) or the pastor's (background Antonoff vocals or something, lol). Keep Father John Misty, Tommy Genesis and Jon Batiste on a verse or something though! 
 
 
 

Lana simply drinking A&W Root Beer while recording the song, realizing that A&W are the initials of American Whore and then deciding to troll us. She's random like that.  I wonder if Antonoff's "@hollywood from hell" caption is related to this song btw.
 
Anyway, I have a feeling that the closer could be the "magical moment" song that they wrote back in April. It could be the one with the long ass title as well (similar to HIADT). 
 
I kinda hope that The Bleachers' contribution will be similar to SYML's (just a sample) or the pastor's (background Antonoff vocals or something, lol). Keep Father John Misty, Tommy Genesis and Jon Batiste on a verse or something though! 
 
 
 

the way everyone on twitter and tiktok is loving the single even when they are always annoying

THIS and I also notice it in Lana's Ed and Ben attitude they really seem proud of this album

this being her strongest and most solid lead single since MAC makes me really excited for the album. a big record is coming and think we all know it 

With that being said, I see elements of all of her albums in this one song. Which is pretty crazy.
 
The setting up/intro felt very Blue Banisters meets Lust For Life (BB sonically speaking, LFL for the imagery the sound of her whisper paints - her LFL album trailer persona hovering over all of these different Lanas), the majestic orchestra transports us right to Honeymoon, the operatic build up is reminiscent of BTD/Paradise, the bridge (with that very soft guitar) is very NFR/Chemtrails specially with that Harry Nilsson mention. And that tone… incredibly melancholic, painful and sorrowful like Ultraviolence.
 
This song has it all. Or i’m too stoned idk. 

Kesha’s mother with taste. 

and in the end the w magazine photoshoot DID hint us a few stuff about the visuals
 
- boobs
- black and white
- rich & cunty
- hair bow
- beach
 
edit: also how she said in the interview the songwriting was gonna be wordy and even the title itself is wordy af

A&W is American Whore?!  The gag when the final word on the track will be "whore" and then we get the pastor's sermon on track 5. 
 
God, we need more info. Someone should ask BOZ if there are any 5-minute+ songs on the album. Or even a song close to Venice Bitch's 9-minute length. 

The girls and gays of TikTok should make the "fuck me to death" line go viral. 

BOZ saying that she should have titled the album The Grants and that she should make an album trailer with that track playing probably means that the it is going to be the serve of the millennium.  I'm getting Honeymoon or White Dress: the orchestral version vibes from it. 
 
 

Fingertips must be Track 9. I have a feeling that this one is going to be one of the most important and difficult/demanding songs on the album. 
 
Ed's description of the album is fantastic. A game-changer with several musical surprises? Absolutely yes! And BOZ saying that "maaaaaybe" the title track cracks his top 5 tracks of this album is certainly promising, because there are at least 4 other tracks which he finds even better than this. 
 
I still hate the generic Sweet title, lol, but mama always puts great songs at #3 on her albums, so I'm being hopeful. 
 
I wonder if most of her features - except for FJM and maybe Tommy - are just samples/smaller contributions like SYML's.