somebasicbitch

My Uncle sank in Cumberland, Maryland as far [as] I allowed 

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

Im so brainwashed by lana naming her songs that i thought that MUSICMAFIA was an abbreviation at first
Like which song could it be

there’s a name for it Japanese it’s kintsugi

 
Kintsugi has slowly been creeping up to be in my top 3 from the album. Kintsugi soty

Why are people acting sorry for this thread lol, it already has more pages than Blue Banisters and Chemtrails entire threads and it's only been out 2 and a half weeks, and also has more activity than NFR or LFL had this soon after release. The album came out, we discussed it thoroughly and the majority of people adore it, and now a lot of people are spending less time on LanaBoards. Has nothing to do with the album's quality. I am personally still listening non-stop and sharing with people in my life who are loving it too, the replay value is very high. There is tons of variety, themes to explore, and details to uncover.

Havent had time to come on here cuz of work, but god i fucking love the album so much. Got the vinyl already and gonna get the Amazon one once i get paid lmao
 
Did the instrumentals leak? Or are those filtered?
 
Also any insider tea that i might have missed? Pearl watch me on ring a bell psycho lifeguard
 

make roses bloom for you and dark city viral

Not a thought or speculation but I Hope she finally gives LYTAN a home

My first time posting here, just need to share how im feeling about this album.
I bawled my eyes out listening to Kintsugi and Fingertips, i think it's the depth she hadn't reached yet with her previous albums. The way she sings about deaths of her relatives and the way it affected her is so heartbreaking, and it makes me go back to reminiscing my personal experiences and traumas. I think it's a great way to share her poetry through the music. As she said herself, those are not 'great songs', but it's a great combination of poetry and music.
I also loved Sweet, it's a beautiful song. I love how sharp her lyricism is with this album. Paris, Texas is also a standout, it brings a feeling of nostalgia, and also this song kind of brings you back after you fell apart listening to Kintsugi and Fingertips.
Let the Light In and Margaret make for a great light ending to a very dark and heavy subjects of the previous songs. Let the Light In kind of sounds like it could be on Lust for Life, which I love. Margaret is simple but effective.
I haven't yet made up my opinion on the closing 3 tracks. Fishtail sounds kind of generic and isn't as good as Tulsa, whish i've seen it being compared to. But all in all those 3 songs are a great way to finish an album and shake off the hard feelings of its core. I love Taco Truck, i only wish the first half would be longer, actually i wouldn't mind the whole song including VB would last 10 minutes.
Interludes are cool in the context of the album and they do a great job of building a bridge from the first part of the album through Candy Necklace (which is iconic and sounds like it could be on Ultraviolence) to the more vulnerable and personal songs.
 
All in all I think it's her masterpiece, but then again i think that about every album of hers. Anyway, i think it holds itself strong compared to NFR, and for me personally Ocean Blvd is much more grand and courageous than NFR.
 
Anyway, thank you for coming to my TED talk, i'll go back swimming with the fishes, call me Aphrodite, as the waves bow down to me.

I guess unpopular opinion but I love it. I love how dark, unsettling, and eerie it feels. The production is incredible too. 

My first time posting here, just need to share how im feeling about this album.
I bawled my eyes out listening to Kintsugi and Fingertips, i think it's the depth she hadn't reached yet with her previous albums. The way she sings about deaths of her relatives and the way it affected her is so heartbreaking, and it makes me go back to reminiscing my personal experiences and traumas. I think it's a great way to share her poetry through the music. As she said herself, those are not 'great songs', but it's a great combination of poetry and music.
I also loved Sweet, it's a beautiful song. I love how sharp her lyricism is with this album. Paris, Texas is also a standout, it brings a feeling of nostalgia, and also this song kind of brings you back after you fell apart listening to Kintsugi and Fingertips.
Let the Light In and Margaret make for a great light ending to a very dark and heavy subjects of the previous songs. Let the Light In kind of sounds like it could be on Lust for Life, which I love. Margaret is simple but effective.
I haven't yet made up my opinion on the closing 3 tracks. Fishtail sounds kind of generic and isn't as good as Tulsa, whish i've seen it being compared to. But all in all those 3 songs are a great way to finish an album and shake off the hard feelings of its core. I love Taco Truck, i only wish the first half would be longer, actually i wouldn't mind the whole song including VB would last 10 minutes.
Interludes are cool in the context of the album and they do a great job of building a bridge from the first part of the album through Candy Necklace (which is iconic and sounds like it could be on Ultraviolence) to the more vulnerable and personal songs.
 
All in all I think it's her masterpiece, but then again i think that about every album of hers. Anyway, i think it holds itself strong compared to NFR, and for me personally Ocean Blvd is much more grand and courageous than NFR.
 
Anyway, thank you for coming to my TED talk, i'll go back swimming with the fishes, call me Aphrodite, as the waves bow down to me.

I know I’m preaching to the choir, But Lana is really incapable of making a bad album.
Like I remember thinking grandfather would be different judging by the title, But no it’s a masterpiece.
I’m thinking it may actually make my holy trinity, UV>HM>DYK

Thank You Lana!

My first time posting here, just need to share how im feeling about this album.
I bawled my eyes out listening to Kintsugi and Fingertips, i think it's the depth she hadn't reached yet with her previous albums. The way she sings about deaths of her relatives and the way it affected her is so heartbreaking, and it makes me go back to reminiscing my personal experiences and traumas. I think it's a great way to share her poetry through the music. As she said herself, those are not 'great songs', but it's a great combination of poetry and music.
I also loved Sweet, it's a beautiful song. I love how sharp her lyricism is with this album. Paris, Texas is also a standout, it brings a feeling of nostalgia, and also this song kind of brings you back after you fell apart listening to Kintsugi and Fingertips.
Let the Light In and Margaret make for a great light ending to a very dark and heavy subjects of the previous songs. Let the Light In kind of sounds like it could be on Lust for Life, which I love. Margaret is simple but effective.
I haven't yet made up my opinion on the closing 3 tracks. Fishtail sounds kind of generic and isn't as good as Tulsa, whish i've seen it being compared to. But all in all those 3 songs are a great way to finish an album and shake off the hard feelings of its core. I love Taco Truck, i only wish the first half would be longer, actually i wouldn't mind the whole song including VB would last 10 minutes.
Interludes are cool in the context of the album and they do a great job of building a bridge from the first part of the album through Candy Necklace (which is iconic and sounds like it could be on Ultraviolence) to the more vulnerable and personal songs.
 
All in all I think it's her masterpiece, but then again i think that about every album of hers. Anyway, i think it holds itself strong compared to NFR, and for me personally Ocean Blvd is much more grand and courageous than NFR.
 
Anyway, thank you for coming to my TED talk, i'll go back swimming with the fishes, call me Aphrodite, as the waves bow down to me.

Well there are parts of it in Candy Necklace. I think the instrumentals of the interludes is the process of making the arrangement for CN.
But I agree it's pure magic

My first time posting here, just need to share how im feeling about this album.
I bawled my eyes out listening to Kintsugi and Fingertips, i think it's the depth she hadn't reached yet with her previous albums. The way she sings about deaths of her relatives and the way it affected her is so heartbreaking, and it makes me go back to reminiscing my personal experiences and traumas. I think it's a great way to share her poetry through the music. As she said herself, those are not 'great songs', but it's a great combination of poetry and music.
I also loved Sweet, it's a beautiful song. I love how sharp her lyricism is with this album. Paris, Texas is also a standout, it brings a feeling of nostalgia, and also this song kind of brings you back after you fell apart listening to Kintsugi and Fingertips.
Let the Light In and Margaret make for a great light ending to a very dark and heavy subjects of the previous songs. Let the Light In kind of sounds like it could be on Lust for Life, which I love. Margaret is simple but effective.
I haven't yet made up my opinion on the closing 3 tracks. Fishtail sounds kind of generic and isn't as good as Tulsa, whish i've seen it being compared to. But all in all those 3 songs are a great way to finish an album and shake off the hard feelings of its core. I love Taco Truck, i only wish the first half would be longer, actually i wouldn't mind the whole song including VB would last 10 minutes.
Interludes are cool in the context of the album and they do a great job of building a bridge from the first part of the album through Candy Necklace (which is iconic and sounds like it could be on Ultraviolence) to the more vulnerable and personal songs.
 
All in all I think it's her masterpiece, but then again i think that about every album of hers. Anyway, i think it holds itself strong compared to NFR, and for me personally Ocean Blvd is much more grand and courageous than NFR.
 
Anyway, thank you for coming to my TED talk, i'll go back swimming with the fishes, call me Aphrodite, as the waves bow down to me.

My first time posting here, just need to share how im feeling about this album.
I bawled my eyes out listening to Kintsugi and Fingertips, i think it's the depth she hadn't reached yet with her previous albums. The way she sings about deaths of her relatives and the way it affected her is so heartbreaking, and it makes me go back to reminiscing my personal experiences and traumas. I think it's a great way to share her poetry through the music. As she said herself, those are not 'great songs', but it's a great combination of poetry and music.
I also loved Sweet, it's a beautiful song. I love how sharp her lyricism is with this album. Paris, Texas is also a standout, it brings a feeling of nostalgia, and also this song kind of brings you back after you fell apart listening to Kintsugi and Fingertips.
Let the Light In and Margaret make for a great light ending to a very dark and heavy subjects of the previous songs. Let the Light In kind of sounds like it could be on Lust for Life, which I love. Margaret is simple but effective.
I haven't yet made up my opinion on the closing 3 tracks. Fishtail sounds kind of generic and isn't as good as Tulsa, whish i've seen it being compared to. But all in all those 3 songs are a great way to finish an album and shake off the hard feelings of its core. I love Taco Truck, i only wish the first half would be longer, actually i wouldn't mind the whole song including VB would last 10 minutes.
Interludes are cool in the context of the album and they do a great job of building a bridge from the first part of the album through Candy Necklace (which is iconic and sounds like it could be on Ultraviolence) to the more vulnerable and personal songs.
 
All in all I think it's her masterpiece, but then again i think that about every album of hers. Anyway, i think it holds itself strong compared to NFR, and for me personally Ocean Blvd is much more grand and courageous than NFR.
 
Anyway, thank you for coming to my TED talk, i'll go back swimming with the fishes, call me Aphrodite, as the waves bow down to me.

we been kissing so whatever he has i have, i cant cry
 

 
 

Finished my second listen of the album.. and the sleep deprivation is now hitting me. I wish I could stay up all night listening to this record over and over, but a 42hr streak is about as much as my body can handle LOL.
Again as I said earlier, I’m already ready to declare this her best record. It’s a masterpiece. So much substance, so much to unpack.. so I’ll be back later today to share more thoughts! I can’t wait to read all of yours’ too. & of course the new site visuals will also be arriving later today as well! Happy, happy, happy release day everyone.. sending all my love to my fellow Lipsters. I hope you all enjoy this magical day. 
Goodnight