Guest123

you are very strange! 

I will always take the side of someone who’s innocent. I’m not defending her past behavior or comments about Lana but the accusation that she literally murdered her husband that’s been disproven time and time again, lol

Even if it’s a joke, it’s still important to recognize it’s a harmful narrative. The whole conspiracy theory came out because the media wanted to bring down a woman (granted some things that brought her down were her own doing, but this specifically was a hurtful rumor). 

Wait so are we really supposed to hate Courtney over this???

she been saying shit its kinda the reason I love her  she got that uncompromisable legacy she's kinda like an older generation's Grimes (even tho Grimes' was compromised )

Comparison is the thief of joy

if any of the male reviewers get mad about that lyric, we need to give them a proper lashing like the one below 

See, this is the problem with Lana. She refuses to print her lyrics in her album booklets / credits. She only did that for her first album but for damn shame,  she never did it again. She mumbles on many of her songs and I have no idea what she's saying. Then fans interpretate and it's all wrong.  

I definitely think that's what she says. 
 
When we talk about something traumatic, we often speed up our words or speak very quietly because there's a lot of shame associated with verbalising those feelings/experiences. At least that's what I've experienced with myself and other survivors. 
 
I think she says it quietly in the song, either unconsciously or (more likely) to symbolise the shame about it. When says says "sittin' on the sofa feelin' super suicidal" in Candy Necklace she really speeds up how she says it. The annunciation is just slightly more slurred/muddled than some of the rest of the lyrics in the song. which I think is for the same reason. 

Chloe was my first ever crush I’m ovulating 

Lana and chloe  mother linkup

Last night, Lana Del Rey attended an Oscar’s afterparty in Beverly Hills, California.

I'm very interested to know what fruit(s)/vegetable(s) you guys associate with the album (from everything we know about it so far)
Mostly based on the taste of that fruit/vegetable
Just imagine the taste in your mouth
Mine is Blueberry
I also made a list
Share your own list cuz I would love to know your opinions on each album
Here's mine:
 
AKA: Lemon / Orange
BTD: Banana / Pineapple / Pomegranate / Watermelon
Paradise: Coconut
UV: (any sort of) Raspberry
HM: Honeydew Melon / Fig / Mango
LFL: Cherry / Peach
NFR: Quince / White Mulberry
COTCC: Cucumber / Kiwi
BB: Armenian Plum
DYKTTATUOB (so far): Blueberry

me in the nursing home 70 years from now ranting about february 4th, 2024 

he spilled 
 
https://x.com/beIlevues/status/1755048417833709672?s=20
 
 

i would love to see her release a perfume

Question for the Scammys coming soon I just know it 

I cannot CANNOT hold back my disdain for this ugly brown ombre lip trend. Like make the most beautiful woman ever look weird challenge... LA Instagram glam will never touch the class afforded by Pamela Cochrane

The way I’ve had this exact situation happen to me and you’re not wrong 
 
 I still can’t believe she lost to boygenius & paramore. Those were just slaps to the face and proved how they just hate her 

I really thought that she would win Best Alternative Music Performance. She had *no* competition at all. A&W was the most acclaimed song of 2023. It topped all the major publications' lists. It received a SOTY nomination. There was no fucking competition! When she lost that, I knew that she'd leave empty-handed. I mean, I get it, for some bizarre reason "the record" was the most acclaimed album of 2023 so it beating Ocean Blvd in the Alternative Album category was a plausible scenario as much as we don't like it. But the Scammys refusing to give Lana the Alternative Performance Grammy despite the fact that 2023 was a huge year for her both commercially and critically and that she had a unanimously raved song? It's an insane and disgusting snub. 

Ok I know it's nottt that serious but I'm on my lunch break running on two hours of sleep and I felt inspired to write a dramatic incoherent rant of my own to get some of my frustration out, read at your own peril:
 
I feel like this was a "last exit before the bridge" type of situation; it's a shame the Grammy's missed it. Not for Lana, but for them. 
 
As other on this forum have so eloquently pointed out, it's a sore spot for the music industry at large that the woman they ridiculed a decade ago turned into arguably the most influential artist of her generation, spawning many of today's establishment-darlings. It's no wonder they are scared of her, and scared to reward her, because it means admitting fault, and that's never an easy thing to do. 
 
Yet, one might have thought, twelve years after Born To Die's release, on the back of a career-defining, genre-spanning ninth studio album, they could finally have found the grace and humility to say, hey, we were wrong. To finally give an artist as influential - and historically controversial - as Lana her flowers would have been a good look on the Grammys, one that's become rarer and rarer in years mired by public outcry at the choice of winners for the big awards. 
 
I don't mean to understate Lana's ability to reinvent herself and redefine her artistry time and time again, I'm certain she can and will continue to challenge our expectations of her in the best way possible, but it’s still hard to imagine an opus rivaling Ocean Blvd arriving anytime soon. This album is such a layered, richly rewarding listen for anyone who has followed Lana's journey as an artist: her barest lyrics yet evoke impossible emotions, worlds of meaning are hidden within the structure of the tracklist, the album morphs into then transcends the metaphor of its eponymous track.
 
Nominating such a body of work five times yet refusing to bestow any accolades upon it while awarding other, derivative, and frankly infinitely more simple albums and songs is a confounding choice on the Recording Academy's part, but it's not Lana Del Rey's loss. Though she keeps pushing ever forward, the culture at large has finally caught up to her—  at least enough to recognise her impact as a generational artist, even as her self-mythology remains impermeable to many. 
 
Lana will move through this as she has moved through all the noise that has surrounded her for more than decade: without missing a step in her unrelenting quest to offer up her soul’s truth in her music. But when your first four-time AOTY winner in history has to take time out of her speech to praise, in her own words, that legend in her prime, who is standing behind her in the shadows, empty-handed—  you have to realise you've abjectly failed as a committee whose stated aim is to recognise "outstanding" achievements in music. 
 
Lana will probably win a Grammy one day, but it will ring hollow when she does. The moment of redemption has passed.

The Grants devours Taylor's shallow and mediocre discography that's only aimed for the lowest common denominator of people. Deleted her from my library; I'm sick of the bare minimum being rewarded at the expense of artists who pour their hearts and souls into their music. 

what the fuck 
 
i understand hypocrates but radioactive????

Fuck me to death, love me until I love myself
 
love literally everything else about ocean blvd but this feels like something i would reblog on tumblr in 2014. i cringe just a bit

What if someone had asked Picasso not to be sad?
Never known who he was or the man he'd become
There would be no blue period
 
Lana please