West Coast

It was the absolute lack of energy that did it for me. Lana can sell vocals even if they are shaking. This, she gave absolutely nothing. Her looks were the best in years tho so there's that.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Lana's biggest issue with these big performance is that she starts big with a cunty/camp entrance, like there is no doubt that this was HER BEST entrance all shows considered, but she really lose momentum halfway through with these slower/more obscure tracks... like The Grants, Ocean Blvd., Hope--they're all obviously hauntingly beautiful tracks--but it creates these down moments. Her shows lack peaks and valleys, they start high and somewhat end on a low note.

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.

She probs can't even hear herself right 

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.

who even said that she was doing new songs 

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.

Extremly whelmed by this performance tbh. I loved the energy, her fucking LOOK like from head to toe, the entrance/outro, the theatrics, dancers, background singers, but as usual her setlist is a choice (and a repetitive/underwhelming one except for the very few "surprises"). But my biggest issue was her voice/mic--what in sound engineering was going on here? 
 
Hoping these issues get fixed for Weekend 2.