Beauty King

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

This is absolutely not how it works. She would have to negotiate the rights specifically when attempting to be released from her contract. Labels retain rights to all music produced under their auspices as a part of almost all recording contracts.
 
There's a significant chance she is leaving with almost none of the music produced in the last ten years.

They originally quoted this post and asked for the source:
 
 

This is a crazy comparison what 

The head of her label destroyed all copies of unfinished unreleased material in label hands specifically to prevent that scenario. He realized that she was a perfectionist and the material wasn't anywhere close to finished enough to form an album. We do know a few titles of songs intended for the third album:
 
Do Me a Lemon
Gutter
A Lion's Pride
You Always Hurt the Ones You Love [which you can hear a snippet of her working on during the Amy documentary]
Song for Dionne
Our Souls Ain't Sold
Not a Penny
Cremated [this might be an alt title for "Like Smoke", as a page from her diary has it listed near "Like Smoke" and "Never Wanted You (To Be My Man)", so it seems like she might've been deciding between the three]
Lion(ess) in Limbo
Where Is He? [probably the Amy solo version of what became "Cherry Wine"]
Misery Loves Company
How Long Now
You Never Came Back for Me
 
Between the Cheats was also on the same list, but that obviously saw release, alongside Like Smoke.
 
All of these are presumably still held in the hands of the producers who worked on them, though. Salaam Remi and Mark Ronson have both said in the past that they're against the release of any of the unfinished unreleased songs that are still in their possession.

maybe try not to be too obsessed with labeling and binary opposition concept when things aren't just black and white....
 
like how did you go from "pro palestine" to "zionist" all of a sudden, simply because it missed to explicitly emphasize one talking point that somehow doesnt perfectly fit the echo chamber narrative of what is considered "perfectly correct stance" by a social media platform that is ironically one of the most popular information war platforms full of edited and out of context types of short form videos?
 

Lana: has an opinion (of either side)
Lana fans:

You Banon people ARE crazy...no offence...
 
You should get used to "her refusal to work" considering she said she quit 4 years ago and has allegedly made over 100 million dollars in book sales, she doesn't have to work a day in her life ever again. Yes it is very convenient that the book slanders everyone she has already slandered before wow shocker!!!! It's almost like this entity that Banon thinks is higher then her father doesn't exist??!?!?!!??! 
 
 

The head of her label destroyed all copies of unfinished unreleased material in label hands specifically to prevent that scenario. He realized that she was a perfectionist and the material wasn't anywhere close to finished enough to form an album. We do know a few titles of songs intended for the third album:
 
Do Me a Lemon
Gutter
A Lion's Pride
You Always Hurt the Ones You Love [which you can hear a snippet of her working on during the Amy documentary]
Song for Dionne
Our Souls Ain't Sold
Not a Penny
Cremated [this might be an alt title for "Like Smoke", as a page from her diary has it listed near "Like Smoke" and "Never Wanted You (To Be My Man)", so it seems like she might've been deciding between the three]
Lion(ess) in Limbo
Where Is He? [probably the Amy solo version of what became "Cherry Wine"]
Misery Loves Company
How Long Now
You Never Came Back for Me
 
Between the Cheats was also on the same list, but that obviously saw release, alongside Like Smoke.
 
All of these are presumably still held in the hands of the producers who worked on them, though. Salaam Remi and Mark Ronson have both said in the past that they're against the release of any of the unfinished unreleased songs that are still in their possession.

The head of her label destroyed all copies of unfinished unreleased material in label hands specifically to prevent that scenario. He realized that she was a perfectionist and the material wasn't anywhere close to finished enough to form an album. We do know a few titles of songs intended for the third album:
 
Do Me a Lemon
Gutter
A Lion's Pride
You Always Hurt the Ones You Love [which you can hear a snippet of her working on during the Amy documentary]
Song for Dionne
Our Souls Ain't Sold
Not a Penny
Cremated [this might be an alt title for "Like Smoke", as a page from her diary has it listed near "Like Smoke" and "Never Wanted You (To Be My Man)", so it seems like she might've been deciding between the three]
Lion(ess) in Limbo
Where Is He? [probably the Amy solo version of what became "Cherry Wine"]
Misery Loves Company
How Long Now
You Never Came Back for Me
 
Between the Cheats was also on the same list, but that obviously saw release, alongside Like Smoke.
 
All of these are presumably still held in the hands of the producers who worked on them, though. Salaam Remi and Mark Ronson have both said in the past that they're against the release of any of the unfinished unreleased songs that are still in their possession.

The head of her label destroyed all copies of unfinished unreleased material in label hands specifically to prevent that scenario. He realized that she was a perfectionist and the material wasn't anywhere close to finished enough to form an album. We do know a few titles of songs intended for the third album:
 
Do Me a Lemon
Gutter
A Lion's Pride
You Always Hurt the Ones You Love [which you can hear a snippet of her working on during the Amy documentary]
Song for Dionne
Our Souls Ain't Sold
Not a Penny
Cremated [this might be an alt title for "Like Smoke", as a page from her diary has it listed near "Like Smoke" and "Never Wanted You (To Be My Man)", so it seems like she might've been deciding between the three]
Lion(ess) in Limbo
Where Is He? [probably the Amy solo version of what became "Cherry Wine"]
Misery Loves Company
How Long Now
You Never Came Back for Me
 
Between the Cheats was also on the same list, but that obviously saw release, alongside Like Smoke.
 
All of these are presumably still held in the hands of the producers who worked on them, though. Salaam Remi and Mark Ronson have both said in the past that they're against the release of any of the unfinished unreleased songs that are still in their possession.

The head of her label destroyed all copies of unfinished unreleased material in label hands specifically to prevent that scenario. He realized that she was a perfectionist and the material wasn't anywhere close to finished enough to form an album. We do know a few titles of songs intended for the third album:
 
Do Me a Lemon
Gutter
A Lion's Pride
You Always Hurt the Ones You Love [which you can hear a snippet of her working on during the Amy documentary]
Song for Dionne
Our Souls Ain't Sold
Not a Penny
Cremated [this might be an alt title for "Like Smoke", as a page from her diary has it listed near "Like Smoke" and "Never Wanted You (To Be My Man)", so it seems like she might've been deciding between the three]
Lion(ess) in Limbo
Where Is He? [probably the Amy solo version of what became "Cherry Wine"]
Misery Loves Company
How Long Now
You Never Came Back for Me
 
Between the Cheats was also on the same list, but that obviously saw release, alongside Like Smoke.
 
All of these are presumably still held in the hands of the producers who worked on them, though. Salaam Remi and Mark Ronson have both said in the past that they're against the release of any of the unfinished unreleased songs that are still in their possession.

If anything she just uses filters that alter her body/face like a lot of celebrities do. I really don't think she has random body doubles acting out her videos for her to put her face over it, that would be so excessive for no reason (and it wouldn't look that realistic).

I thought people moved on from the "her videos are AI we need to save Britney!" thing 

The poster you're replying to has unleaked material from a number of artists.

I think you're giving her a little too much credit. This is the same woman who said "I wish I was dead already" to a journalist and then expected him not to print it. I don't think she was thinking much before words came out of her mouth, around that time.

Still crap, sorry. I don’t think she's a good writer at all.

The Once Upon a Time in Hollywood info came direct from an interview with the film's music supervisor and she had no reason to lie about it.
 
https://www.gq.com/story/mary-ramos-quentin-tarantino-interview
 
The Alice in Wonderland thing seems to have been for a spec script that never got off the ground. The writer likely asked her to do the music before they got any backing from a studio.

She said it made the cut in her TikTok comments. Here's a list of the confirmed ones so far:
 
 
She's also said all of these next set are scrapped for various reasons: