aGlassShipThatCanFly

I think it's 'sax' - she says "I sold my life rights for a big cheque" which (if autobiographical) would be selling out her music for the image of Lana del Rey.
 
Terrance Loves You (and other parts of Honeymoon like Art Deco) has saxophone paired with the line "But I've still got jazz when I've got the blues", maybe signifying that she takes refuge in her love of music (particularly jazz which is so prominent in New York, of which sax is a staple). So by selling her namesake, she now 'can't sleep at night' because she knows fame will end eventually and she can't be wholly authentic anymore.
 
Also, sax then comes in and plays in the next poem she reads. 
 
Obviously as I just said I'm not sure if we can take anything as actually her life and we can just wait for the book sooo n e wayyy

A sexy, dark track with guitar and heavy beats
A sexy, dark track with guitar and heavy beats
A sexy, dark track with guitar and heavy beats
A sexy, dark track with guitar and heavy beats
A sexy, dark track with guitar and heavy beats
Let's pray for that :pray2: :pray: :pray2: :pray: :pray2:

idek what mastering is

fine china but with NFR touch ?      ​ 

oh lord above we ask thee, bless us with an album that has no country songs! Amen

I feel like Tulsa Jesus Freak isn't a song title but omg I would LIVE if it actually is and it's some kind of "wtf was I thinking im a bad bitch after all" anthem    in my imagination it opens up w the lines
 
"Remember how the men would bow just to hear me speak
But now I'm somehow at the mercy of this Tulsa Jesus Freak   "
 
and then it goes on to drag Sean and their relationship omg I would LIVE

this may be the most out-of-left-field thing i've ever read on here

Stay on topic please. These may come in handy for some of you:

 

Born to Die - Post Release Discussion Thread

Lust for Life - Post-Release Discussion Thread

Norman Fucking Rockwell - Post-Release Discussion Thread

I heard the title track in my dream last night. It had a really long heavy-drums intro, and the opening line was "Mary had a little lamb." It was about a little girl named Mary who kept herself isolated at the country club, and was very strict about who she would let in or not. The song got sassier and more aggressive as it went on and Mary grew up, and at the end of the song Mary looked up at the sky and saw the chemtrails above her and realized the error of her ways. LOL

the way she never makes her insta captions clear just to fuck with us. 

I used to dislike this line, but now I love it cause I view it as just super sarcastic - like oh yea, why on earth would I wait for someone nice and caring and perfect for me when I could have a fcking loser like you   hahaha like you say its such a quiet diss I love it!!

I feel we're getting something very very very soon. Like... I feel it...

I always thought it's meant in an endearing way. I mean of course it's an insult but I thought it meant even though he objectively isn't good, she loves all his faults and she can't help but have those feelings for him even though she knows it's not good for her. Subjectively, she prefers him despite his flaws.

Cover idea that could be bad idk: She's at a party at the country club and she's the only one wearing a mask. Everybody's dancing and laughing while she's looking up in the sky at the ''chemtrails''. Everybody is living the rich LA lifestyle, not worried about the chemtrails or the virus while she's the sad, woke one, LOL 

I want a modern video and slow dreamy trappy song about coked-up old money rich bitches sipping magnum champagne at a country club gossiping about conspiracy theories with it being stylised so glamorously that it starts to ebb and flow indistinctively into satire and irony and then back...

I think that Lana's most admirable quality as an artist is how deeply committed she is to her life's work. While BTD and Norman aren't even comparable, you still see a woman that has evolved from the superficial (not saying this as a bad thing, or to look down on BTD at all) to the spirit of the great American poets and songwriters. I am not worried about Chemtrails at all, lyrically speaking. I know that she'll blow it out of the park again, especially considering that the title evokes the strong imagery of her poetry collection. I am more concerned that I don't know what type of soundscape that this album will shape out to be; that she either hasn't covered yet, or that is in her range. If this turns out to be her Folk record, i'll be absolutely ecstatic. Norman was the turning point towards LDR being taken more seriously as an artist and poet.

I always interpreted the title as a mocking of the many conspiracy theories that state the "elite" are "mind controlling" us through the use of chemicals in the air/water/through cell phone towers; yet these theories fail to point out the fact that those same "elites" would be a victim to their own nefarious deeds (i.e. chemtrails would still exist over the country club; the "elite" method of mind control would harm them too). 

Paradise has one of her best productions but y'all aren't ready for this tea

BTD: Million Dollar Man
PD: Yayo
UV: West Coast
Honeymoon: Honeymoon
LFL: Cherry
NFR: Love Song

i hope the record has elements of venice bitch, religion, brooklyn baby,  and video games

If I’m picking old songs that I wouldn’t mind this record conjuring:
 
Btd: Born to Die
Paradise: Bel Air
UV: West Coast
HM: Terrance Loves You
LfL: Heroin
NFR: Venice bitch

i think a title change has a lot to do with a new direction of sound, maybe white hot forever was the continuation of nfr she talked about but felt like that song in particular didn’t fit the vibe and new direction of the record, the original lust for life (best american record) obviously was a different sounding album than the final product and UV had a style change compared to the songs that leaked like black beauty which was way more rock than the pillowy demo.
 
lana always seems to go for the same sound as her previous record when she starts a new one but it always turns into something far different, for example the freak demo was very rock influenced and sounded like something off ultraviolence then honeymoon was completely different from that. the lust for life demo and heroin have that same feel, they both sound like something off honeymoon but the final product of lfl is not close to honeymoon at all so i think she’ll end up surprising us with whatever sound she decides to go for

When ideas about what COTCC would sound like first started to be discussed I was sure that the obvious continuation to NFR should be a Mariners/Venice Bitch vibe but then I thought this was only what I wanted it to sound like because NFR - despite being cohesive enough - didn’t really come through as “marine” as I thought it would. (also Lana rarely goes for the same sounds between projects)
Then she posted the clip from that black and white old movie and Patent Leather, and I started to think of a combination between the lush ethereal production behind Music To Watch Boys To and the surfish vibe of the background music to Patent Leather and Happy.
I also keep thinking about the spaceships and rockets in the sky in the bartender video, for some reason I find it very disquieting and haunting even if they look like they’re laughing and having fun. I think Chemtrails will be quite dark and the change of title would make sense.