Red Dress

Okay but FR this sounds exactly like something I could hear her releasing, on her country style album. She has the right kind of vocal flexibility to go in with either a deep voice, or her much higher "head voice"....or a combo of the two.

I want a song that makes me feel the way Old Money does

Since we have a pre-pre-release thread, it's time for stupid tracklists 
 

 
1.THERE WERE STORIES OF A CHURCH IN THE FOREST UP NORTH
2.ALMOST FAMOUS
3.TODAY’S NEWS - TOMORROW’S FISH PAPERS
4.SANTA MONICA SINNER
5.HASHBROWNS
6.LAST MINUTES OF DAYLIGHT
7.I TALK TO JESUS
8.SANDALS
9.OUT OF PLACE, IN MY ELEMENT
10.THERE IS SOMETHING COMING TOWARDS ME - A WHIRLWIND OF CHANGE IN THE MIDNIGHT BREEZE
11.OK
12.IF YOU ONLY KNEW WHAT I WAS THINKING
13.HEROIN PT II
14.RECREATION AREA 32
15.LIZ I’M CALLING FROM CALIHOMA

When Lana sampled Jump's lyrics in Fishtails, I want to see Noir lyric sample in LDR10 

No mesh mask, No bum ass boyfriend, no more sermon interludes, no typewriter scans, constantly serving in public / in performances, random ass adventures + the acknowledgment of the 80% of her music she’s always payed dust, we are on a a very different and good looking trajectory this time around girls 

I really hope she avoids putting random stupid lines in between of her songs. I cringe everytime I hear "basic bitch" & "white woman". These songs are literal perfection without those lines. 

Just leave Nikki out and it'll work perfect 

I was meaning to say Vangelis early 70s records… and those early 70s works aren’t piano ballads. His works is more reminiscent of Lana’s atmospheric spacier tunes (serene queen, lfl demo, heroin, 13 beaches, lfl album original concept, terrence). That’s what I meant! Compositions of songs that revolve around space and intergalactic setting

RUMORED TRACKLIST:
1.    The Hills
2.    Did you know that there isn’t a bridge over Desert Alley
3.    Bitter
4.    British Prude
5.    Richard Dawkins Interlude
6.    Ringpop
7.    Morgan Wallen Interlude
8.    Tatakiwaru
9.    Tiptoe
10.    London, Ontario
11.    Grandmother please sit on the knees of my mother while she’s harvesting farmed salmon
12.    Keep the Darkness Out
13.    Pigtails
14.    Pumpkins
15.    Hot Dog Cart x NYC
16.    I wrote this song on a napkin at Waffle House (Deluxe Bonus Track)
 

I’m more intrigued about the topics on this record than the producers, to be honest. With the last two records, she gave us so many context clues about her lyrical headspace before we even heard the music. She said on the Billboard Women in Music red carpet that she’s “worked [her thoughts on family karma] all out through the writing” and she’s excited to see where she goes next - but I feel that we don’t have any idea of where she’s going next, which is so exciting.

I know it’s not gonna happen in any way but I would love a cohesive album with Let the Light In / Thunder Demo sound.

When she starts making music with new producers, she always comes out with a hit. There ain't nothing wrong with a little novelty. 

I think we should count our disappointments now so we can be fully surprised when we get an official announcements

my second pre-pre-release thread omg

Listening to Honeymoon today, I couldn't help but think that it was the sort of album she should have been releasing at this point in her career. Most of the tracks have a more mature feel to them that really wouldn't be out of sync with an artist in her later years. Plus, just hearing the opening line "We both know, that it's not fashionable to love me" would just be such an appropriate message right now.

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially. 

Yes, especially because it's just so full and rich, cinematically sweeping and manages to straddle both being an homage to old school jazz, and an up to date sound that manages to come across as timeless. Yes it's a bit clunky insofar as some of the songs aren't really right for the album (Shades Of Cool would have worked beautifully on it, 13 Beaches Should Have Been On It, Please Don't Let Me Be Misunderstood is a weird and sort of dull cover, Swan Song should have been the closer) but it's a stunningly beautiful album that totally surprised me when it came out and made me realise just what a capacity for genre-adopting/twisting Lana had as a songwriter, as well as singing even more ethereally than I already knew. It's one of my favourites and I love to languish about listening to it in summer especially.