Jeanne Dielman

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

i'm getting bombastic but less BTD & LFL and more venice bitch... long spacious vibey tracks that are very melancholic

I feel like Lana’s album art often reflects the tone of the record super well, so I’m curious what impression everyone else had!
 
For me, the photos give me a sense of restlessness: almost like she woke in the middle of the night and is pacing between her bed and the mirror, contemplating her life and feeling full of confessions. 
 
Personally, Neil’s flower and ocean visuals supplement the photoshoot’s dark, almost dreamlike quality. There seems to be a sensual aspect as well, and I’m so interested to see how it all ties together!

Music has a strong internally visual component for me, and the aesthetic reminds me of how I perceive tracks like Stargirl Interlude, WFWF, Heroin, Summer Bummer, and hope!
 
(This probably seems like a weird combo of tracks, but it makes sense in my head.)

Someone a few pages back said the title track sounds gorgeous with spatial audio so I just checked and it totally does! I think it’s her first song to actually support Dolby atmos so that’s why. Hope the whole album comes in this format! 

It's giving  no self esteem, like.. why spend your time deliberately making yourself angry 

Mosaic ceilings painted tiles on the wall? 

it's so strange to me how somebody who clearly doesn't like lana has an account on lanaboards.com...  

Wait, but wasn't DYKTTATUOB her fastest song to reach 10M streams? 

they're a lana hater too so
and again i know that a lot of people don't like the lana 2.0 dislikers but if you disconnect out of stan mode for a minute and you just look at the difference between frustrated stans & actual haters it's pretty obvious

The anime stan is here too...beware

not this obsessed stan being under every post…