Nobody

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

she just started following Rolling Stone Italia on Instagram... hopefully a new interview 

wild at heart sampling how to dissapear was a cute moment because they're about the same guy, it's pretty cool in my opinion, it's kinda like how she used methamphetamine's melody for old money  

yall be stanning BTD which uses the same 4 chords throughout a majority of the tracklist & Emile recycling the same stems over and over again but Jack sampling HTD for the apparent sequel track is too much, smh

And that someone is...me!

 

well... i suppose someone has to 

when she works with BRTHR again to capture that trippy/hip hop vibe lana made with that producer 

Sylvia... 

https://www.bbc.co.uk/programmes/articles/3tqPdBWF9yMbTrfjWvfKV8t/radio-1-playlist
 
Tulsa Jesus Freak was randomly added to BBC's Radio 1 playlist!

she deleted and rewrote it

we can tell 

How are "Bitch", "Baby" and "Jesus Freak" adjectives bby?

I love Jack’s production so much, but I think it makes sense that she would work with another producer this time for a few reasons:
 
1) Jack is still in New Jersey and is unable to come to LA because of the pandemic - this halted the process of Chemtrails a bit towards the end, and naturally, Lana being nervous about that record, would not want to have those limitations of proximity be a concern again.
 
2) She said to Annie Mac that she was hoping to see if the covers album with Zach Dawes would “spark anything” - obviously, Zach seems to have been her go-to producer since the pandemic happened, as they made Dealer, 2 cover albums, Summertime the Gershwin Version, a live version of Let Me Love You Like a Woman for Fallon, and possibly a whole original studio album together. 
 
3) Lana always works with the same producer(s) for no more than two albums:
 
Rick Nowels, Dan Heath:
- Born to Die/Paradise (with additional production from Emile Haynie, Justin Parker)
- the original Ultraviolence (before the rework with Dan Auerbach)
 
Rick Nowels:
- Honeymoon
- Lust for Life
 
 
Jack Antonoff:
- Norman Fucking Rockwell!
- Chemtrails Over the Country Club
 
4) Obviously Lana has been going to a studio in LA and has an album finished/close to being finished  - a “revenge” album points to a fuller-sound with guitars, and Lana mentioned to Music Week that she loves bluesy, outlaw music inspired by her country music friends and other country idols of hers. Zach, having produced her country covers album, would be the most obvious choice as a producer since the covers album likely bled into the process for this country-esque album that Lana has implied LDR8 will be. 
 
 

I think that there's a huge difference between changing toxic traits and changing who you are. Most of people mix those two and go after an unrealistic version of themselves and end up being hurt, depressed or bored.
 
Lana probably mixed those two and just now realized that she doesn't have to fully change herself to be happy

She should drop her skincare routine tbh i wish i could look so radiant I'm literally a dry raisin

she looks like she could be on a national geographic show trekking through the woods and streams and pointing out mushrooms and birds and wildlife in the best way possible

"I'm kinda happy thankyou"
"I want revenge"
Cherry Blossom lyrics
 
 
...what is she doing