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TEMPORARY Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021

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where's Cassette girl?!?!


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"You can't be a muse and be happy, too.

You can't blacken the pages with Russian poetry and be happy." - Blue Banisters

Quote

I asked Asmodeus (the demon of lust) to make Miley Cyrus suffer. I am not happy with these new developments. After Miley rips off Lana's aesthetic, she bullies Lana into changing her release date. It is infuriating. 

 

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25 minutes ago, Contemplating God said:

LFL was the prime example of them getting too comfortable with each other

 

Her most respected albums are when she branches out to new producers. After this album is over i'm sure she'll find someone new (Zach).


i enjoy jack's work on NFR but i do hope she works with a new producer on her next record just to push her in a new direction. we already know what her and jack can do together and COCC seems to be solidifying that, just like in the beginning stages of LFL; the title track demo, heroin, get free and serene queen all still feel very "Honeymoon" cause they were made directly in the same creative process as that record. Honeymoon is the best work of lana and rick's time together and they should just leave it at that, if they never make an album together again i wouldn't mind cause they've done what they need to together. i don't think she needs a go to producer to make good music cause whoever she works with there will always be that lana-touch but every time she works with someone new we get a side of her we've never seen before which i think is needed sometimes.

 

 


i love you, but you don't understand me.

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thinking about how cassette girl would probably be bopping to tulsa jesus freak right now if her grandparents didn't get fired from universal :bebe: 


𝓉𝒽𝑒 𝒷𝑜𝒶𝓇𝒹𝓌𝒶𝓁𝓀 𝓆𝓊𝑒𝑒𝓃𝓈 𝓇𝑜𝓁𝓁 𝒹𝒾𝒸𝑒 𝓌𝒾𝓉𝒽 𝓉𝒽𝑒 𝒶𝓇𝒸𝒽𝒶𝓃𝑔𝑒𝓁𝓈 𝒻𝑜𝓇 𝓅𝒾𝓃𝓀 𝓈𝓁𝒾𝓅𝓈 𝒶𝓃𝒹 𝓉𝒽𝑒 𝓈𝑜𝓊𝓁𝓈 𝑜𝒻 𝓉𝒽𝑒 𝒹𝑒𝓅𝒶𝓇𝓉𝑒𝒹

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Just now, LemonadeHeavens said:

thinking about how cassette girl would probably be bopping to tulsa jesus freak right now if her grandparents didn't get fired from universal :bebe: 

 

things come to an end...:cuteface:

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2 minutes ago, Shanice Jones said:

 

things come to an end...:cuteface:

 

like this pre-release thread? :dua: is shanice going to be the new cassette girl? :dua: 


𝓉𝒽𝑒 𝒷𝑜𝒶𝓇𝒹𝓌𝒶𝓁𝓀 𝓆𝓊𝑒𝑒𝓃𝓈 𝓇𝑜𝓁𝓁 𝒹𝒾𝒸𝑒 𝓌𝒾𝓉𝒽 𝓉𝒽𝑒 𝒶𝓇𝒸𝒽𝒶𝓃𝑔𝑒𝓁𝓈 𝒻𝑜𝓇 𝓅𝒾𝓃𝓀 𝓈𝓁𝒾𝓅𝓈 𝒶𝓃𝒹 𝓉𝒽𝑒 𝓈𝑜𝓊𝓁𝓈 𝑜𝒻 𝓉𝒽𝑒 𝒹𝑒𝓅𝒶𝓇𝓉𝑒𝒹

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5 minutes ago, LemonadeHeavens said:

thinking about how cassette girl would probably be bopping to tulsa jesus freak right now if her grandparents didn't get fired from universal :bebe: 


i thought she was a billie eilish stan who didn't even like lana :bebe:


i love you, but you don't understand me.

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4 hours ago, youngnwildx said:

It's yet to be leaked :um2: but the snippets of both white dress and wild at heart are everywhere!!! I cannot listen to them, very tempted but :crying4:

there’s no white dress snippet there’s one which is a desperate fag singing like lana and the other is 4 random piano chords with stargirl vocals slapped on it :eek:

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Wait sorry for being dumb, who's this cassette girl and what did they do??


Dying by the hand of a foreign man, Happily
Calling out my name in the summer rain, Ciao amore

13.04.2018 | 04.06.2024

Progetto-senza-titolo.png

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7 minutes ago, new gods said:


i enjoy jack's work on NFR but i do hope she works with a new producer on her next record just to push her in a new direction. we already know what her and jack can do together and COCC seems to be solidifying that

 

 

 

I personally don't think we know all that Lana and Jack can go together. Violet was a whole new sound and vibe and nothing like what I was expecting. Chemtrails title track was also a new direction for me. I'm very curious and excited to hear what this album has in store!

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5 minutes ago, LemonadeHeavens said:

thinking about how cassette girl would probably be bopping to tulsa jesus freak right now if her grandparents didn't get fired from universal :bebe: 

She did that to herself :smokes: If my grandparents gave me inside access to Lanas album I'd keep my mouth shut and silently bop ZLoNxIk.jpg:dance:


Y0jLcfB.gif.˚₊‧.༻𓆩❤︎𓆪 My love's pourin' 𓆩‪‪❤︎𓆪༺.‧₊˚. yxuiMLe.gif
34h2wyS.gif

°l||l°l||l°l||l°l||l°l||l°l||Like a waterfall.||l°l||l°l||l°l||l°l||l°l||

1:32━━━━━♡────2:42

⇆ | ◁◁ ▐ ▌ ▷▷ | ↺

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11 hours ago, venicebitch said:

I love Rick but y'all praise him waaayyy too much, he and Lana were too comfortable with each other at some point and their songs started to get boring, i'm also sure you would hate him now if he produced more Lana albums after LFL without any kind of break from him. I'm happy she's still producing with Jack, and i'm pretty sure she'll get back to Rick at some point as she always does and this is why you need to stop bragging about it every damn page, he literally produced most of Lana's music... even if it's not your cup of tea NFR was another milestone of her career and i dont think she would achieve that with yet another album produced by Rick. 

 

I respect Jack so much and they compliment each other in such a good way, especially with Lana saying that she hates music that's too polished, idc i think Jack is a genius

 

11 hours ago, Contemplating God said:

LFL was the prime example of them getting too comfortable with each other

 

Her most respected albums are when she branches out to new producers. After this album is over i'm sure she'll find someone new (Zach).

 

I definitely agree that Lana and Rick were probably very comfortable with each other, maybe too comfortable from an artistic creation perspective. But let's not pretend like Jack challenged Lana and pushed her to creative highs. That would be Dan Auerbach. Multiple articles and interviews were written about the creative process around 'Ultraviolence'. They all mentioned that they had a tumultuous relationship while making this album, they apparently fought a lot over certain artistic decisions, but also (if I recall correctly) when Lana heard back from Interscope and they told her they didn't like the album, Dan was ready to jump and defend this project peck and nails. Whereas Lana was ready to let it go (until Paul Epworth chimed in and said he loved the album,  then these same execs started eating shit... well that's a story from another day). But in the end, they said they danced to the music in the studio, and we got 'Ultraviolence'–that speaks for itself I think.

 

Anyway, from what we know, and this is straight from the horse's mouth, she and Jack just chill in the studio, which is fine, like there is nothing wrong with getting along peacefully. I just take a lot of issues with the way 'NFR!' sounds, and I think a lot of them stem from how this album was conceived from a production/mastering standpoint. I attribute a lot of that to artistic laziness. That might be a controversial opinion, oh well.

 

After 'Chemtrails' I honestly hope Lana partners with a completely new and different producer, I think it's time for her to really get out of her comfort zone and meet someone from a different place in this industry. I really want to hear something more boundary pushing than what we heard on 'NFR!', but also what's been released thus far from 'Chemtrails', which sonically speaking, while better in certain regards imho, isn't all that different from the last record. Weirdly enough, I find certain tracks on 'Violet' to be much more interesting sonically than what they have done together on an actual album. :biblio:

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