Cloudbusting

What if Lana keeps trying to make things "surprise releases" like with WHF/Chemtrails and now RCS but she keeps getting exciting/angry and just announces them despite originally not planning to...
I mean, it would make a lot of sense with RCS being a surprise release, especially if it was just randomly dropped on a Tuesday haha

Speaking of country/rock, the guitar solo around 4:10 is exactly what I want from RCS
 
 

listening to stargirl interlude rn and thinking about how great an album with the sound of the song x uv would be....

I think the one thing Lana really needs to address on this album is the one question she has never really given her listeners a direct answer to, which is weather or not she is a candle in the wind.
I feel like its always asked by the fans, critics, and casual listeners, and Lana has never seemed to even bring it up in her music. This would be the perfect album for her to give a solid response.

1 Brooklyn Baby 2 Cruel World 3 Venice Bitch 4 Norman Fucking Rockwell 5 White Dress 6 hope is a dangerous thing for a woman like me to have - but i have it 7 Heroin 8 Florida Kilos 9 Shades of Cool 10 Bartender 11 Dance Till We Die 12 Chelsea Hotel No. 2 13 California 14 Ultraviolence 15 Sad Girl 16 The Greatest 17 Mariners Apartment Complex 18 For Free 19 Pretty When You Cry 20 The Blackest Day

here's my top 20:
1 Heroin 2 The Greatest 3 Yosemite 4 Dark But Just a Game 5 Black Beauty 6 Shades of Cool 7 Terrence Loves You 8 The Blackest Day 9 Honeymoon 10 Flipside 11 Is This Happiness 12 Old Money 13 Pretty When You Cry 14 Brooklyn Baby 15 West Coast 16 Video Games 17 Off to the Races 18 Ride 19 Bel Air 20 Cruel World  

can't wait for y'all to not like RCS and start blaming on Zach for that 

Brooklyn Baby
Venice Bitch
Tulsa Jesus Freak
 
I need another place + adjective noun thing song 

I love Jack’s production so much, but I think it makes sense that she would work with another producer this time for a few reasons:
 
1) Jack is still in New Jersey and is unable to come to LA because of the pandemic - this halted the process of Chemtrails a bit towards the end, and naturally, Lana being nervous about that record, would not want to have those limitations of proximity be a concern again.
 
2) She said to Annie Mac that she was hoping to see if the covers album with Zach Dawes would “spark anything” - obviously, Zach seems to have been her go-to producer since the pandemic happened, as they made Dealer, 2 cover albums, Summertime the Gershwin Version, a live version of Let Me Love You Like a Woman for Fallon, and possibly a whole original studio album together. 
 
3) Lana always works with the same producer(s) for no more than two albums:
 
Rick Nowels, Dan Heath:
- Born to Die/Paradise (with additional production from Emile Haynie, Justin Parker)
- the original Ultraviolence (before the rework with Dan Auerbach)
 
Rick Nowels:
- Honeymoon
- Lust for Life
 
 
Jack Antonoff:
- Norman Fucking Rockwell!
- Chemtrails Over the Country Club
 
4) Obviously Lana has been going to a studio in LA and has an album finished/close to being finished  - a “revenge” album points to a fuller-sound with guitars, and Lana mentioned to Music Week that she loves bluesy, outlaw music inspired by her country music friends and other country idols of hers. Zach, having produced her country covers album, would be the most obvious choice as a producer since the covers album likely bled into the process for this country-esque album that Lana has implied LDR8 will be. 
 
 

if its ok wanted to share a idea I had for cover art with all the bad press.

imagining an album full of VB-MAC and now i'm depressed 

Not Pitchflop taking into consideration her controversies to make a review... it's BTD and UV all over again.
 
Anyway! Wild At Heart had the HTD production which was a distraction at first, but THEN I just realized that the song took the production of HTD and did what it couldn't (it did that). It's a grower and now that it grew on me I definitely think it's one of the best tracks here. 

this is my first time ever posting something on lanaboards, hi!!
anyway, I just wanted to point out that the font for RCS on her selfie (as well as the vibes of it) is very similar to the font on the movie poster for 'Picnic At Hanging Rock' (1975) and they both obviously have 'rock' in their titles, so it may be a reach (esp since it's a lesser known film) but it could be a reference as it suits lana's aesthetic... 
 
also... do y'all remember when she posted some picture of herself where she was referencing Hitchcock's 'The Birds' (something about Bodega Bay) and we assumed she was shooting something? Was that for the COCC MV or do we still not know what that was for?

I’m so nervous about this record snsns 

I’m so nervous about this record snsns 

I’m so nervous about this record snsns 

I’m so nervous about this record snsns 

I’m so nervous about this record snsns 

The fact of the matter is that people use good reviews to defend albums that they like, and bad reviews to trash albums or call it a failure even if they themselves like the record deep down. She is a polarising artist and music in general is subjective. Form your own opinions instead of being a follower. 

Friendly reminder that Not All Who Wander and Dance Till We Die are gems and that they should not be underrated x

Friendly reminder that Not All Who Wander and Dance Till We Die are gems and that they should not be underrated x

Jack’s Insta post about Chem w/ pics from the studio
 
https://www.instagram.com/p/CMoHp9kJyiR/?igshid=1iw8gycp7irmc