boom like that

I think some do, no one had Candy Necklace because it was a last minute addition and only an old unmastered version of the album was in circulation..and guess what was on that old draft? 

Just need to say it again that Super Sunset is one of my favorite projects ever and still holds up strong 5 years later

Wasn't it said to be Everything I Do was the LFL version and LA Who Am I the post-LFL Jack rework? or am I getting it confused
 
nvm 

A Living Legend with Dan's strings could have been a thing? Even if not strings, everything he does enhances a track.

Starting from September 2022, we've got, possibly, the most sucsessful year in terms of getting information, finding out ones of the most elusive things and information, that this fandom had been questioning nearly for a decade, and all that information needed a proper thread for an easier navigation through all of that stuff, and that's why I'm creating this thread - lots of information for y'all to remeber, or to find out for those who could miss something interesting! Also attaching updated Lana tracker here: https://docs.google.com/spreadsheets/d/15OnEodSGJDb6waXd5Lt8lUykYw41VBt_/edit?usp=sharing&ouid=110075473368512663473&rtpof=true&sd=true.
 Happy holydays everyone 

1. <2010

2. 2010-2011

3. 2012 

4. 2013

5. 2014

6. 2015

8. 2016-2017

9. >2018
 
10. Unconfirmed
 

but marina wasn't vaguely criticizing capitalism while on the same album also having a track bragging about being a millionaire 

Just finished full discography first listen. She's got a new fan. Also, John and Jonathan is so misunderstood it hurts. It's such a moody goth banger.

So basically I made a post about how it’s speculated Lana submitted 24 for a bond theme, I tagged Rick, and he said “True”
 

 
If this isn’t confirmation enough for Lanapedia I don’t know what is!

jon denton's top 3 AOTY 
 

In title track the line where she says "Lennon in my back, whisperin' in my ear 'come on, baby, you can thrive'" into "but I can't" really breaks me. Followed up with the final chorus, like the urgency and desperation that it conveys. It really feels like a call for help, to be heard, and waiting to be answered. Its very relatable which is tragic

praying you're right, I love the music she's put out recently bcs it's Lana but  enough with the jack antoniffication of music
I think the first step in that direction is hiring other producers, I'm manifesting

I'd love for her to expand on the original concept of Lust for Life. That was such a missed opportunity and i think she should go back to it. A full spacey, ethereal and dreamlike aesthetic with lush, ambient production and slowcore-like songs. She could also incorporate astrology into it somehow and maybe even make every track be about each starsign (as others have said), with atmospherical and ambient interludes inbetween each track.. the power it would have... she'd make history with it

im going to trust u even tho idk u & ur clearly delusional. I believe in you girl. She’s coming

Against the Common opinion here i think she will go back to these eras. Not in the way that she is copy these albums, but i think she will develop these eras. A&w, peppers, taco truck are Fan favorites and they are similiar to her older style, but with a new twitch. I see her leaving this piano folk path.
 
Mark my words!!!

Stargirl interlude Pt 2 

I mean... I think you're stanning the wrong artist

I reckon it'll just be a one off collab, probably has nothing to do with ldr10

In title track the line where she says "Lennon in my back, whisperin' in my ear 'come on, baby, you can thrive'" into "but I can't" really breaks me. Followed up with the final chorus, like the urgency and desperation that it conveys. It really feels like a call for help, to be heard, and waiting to be answered. Its very relatable which is tragic

In title track the line where she says "Lennon in my back, whisperin' in my ear 'come on, baby, you can thrive'" into "but I can't" really breaks me. Followed up with the final chorus, like the urgency and desperation that it conveys. It really feels like a call for help, to be heard, and waiting to be answered. Its very relatable which is tragic

In title track the line where she says "Lennon in my back, whisperin' in my ear 'come on, baby, you can thrive'" into "but I can't" really breaks me. Followed up with the final chorus, like the urgency and desperation that it conveys. It really feels like a call for help, to be heard, and waiting to be answered. Its very relatable which is tragic

She needs a simplistic album cover but with beautiful colouring-
e.g Alexandra savior’s the archer:
 

Id be here for sza, asap, grimes & Kali Uchis features. Like imagine the collapse. Delusional tho. If anything we’ll get Nikki Lane and some other unknown white woman friend of hers 

This is one of the lines that people online seemed to argue over (what exactly the line said), and that she took the time to VERY clearly enunciate when singing it live, so I think she really wanted it to be understood.

In title track the line where she says "Lennon in my back, whisperin' in my ear 'come on, baby, you can thrive'" into "but I can't" really breaks me. Followed up with the final chorus, like the urgency and desperation that it conveys. It really feels like a call for help, to be heard, and waiting to be answered. Its very relatable which is tragic

In title track the line where she says "Lennon in my back, whisperin' in my ear 'come on, baby, you can thrive'" into "but I can't" really breaks me. Followed up with the final chorus, like the urgency and desperation that it conveys. It really feels like a call for help, to be heard, and waiting to be answered. Its very relatable which is tragic