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Showing most liked content on 05/27/2021 in all areas
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37 likes
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31 likesPeople blatantly trashing the new songs and calling it “constructive criticism” can’t even be taken seriously, especially when the same people were dismissing Honeymoon as a “snooze-fest” back in 2015 and would say “Lana needs to stop working with Grandpa Nowels” but now beg for him to come back. It’s cyclical and the lack of self-awareness is appalling. Be respectful or leave. You don’t have to like every single piece of music, but you also don’t have to disrespect the people making the music. They’re human too!
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29 likesI couldn't care less if people don't like Lana's newer music (sucks to be them ) but it definitely is exhausting when the criticism isn't constructive or engaging but just rude. We don't really need to repeatedly hear people say "flop this, Nikki Roach that, this person sucks, that person is lazy, etc etc." Trashing the work isn't the same as discussing it.
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27 likesi want her to do something completely different. an artist never repeats an era, so i don't think i would like a BTD 2.0 or an UV 2.0 since she's working with mr dean, i think it would be cool to see her doing something more electronic? futuristic in a way? lots of synths and percussion, an 80's fliperama vibe, kinda like after hours. i would also DIE for an RnB album, she honestly could be capable of giving us some slow twerking bops, like the latest Kali Uchis record. whatever it is, i think it would be important for her to step out of her comfort zone! since nfr i think she has found her 'perfect sound', but it would be nice to see a change.
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22 likesit's totally valid for people to not like her current work, but at least put some respect on the people who worked on it. you can't praise mike for clapping back at people who say WW is trash and then proceed to say it sounds like it was made at garage band when it probably took a lot of time to get to that dirtorted effect.
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20 likesI'd kill for Lana to do that spacey sound she wanted for LFL with Mike Dean I'd explode
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18 likesTbh I don’t really get the people who are like “HER SONGWRITING GROWTH!!!!!!” after the 3 new releases. Ok yeah, the lyrics are some of her most personal, but her lyrics have generally always been complex and multilayered. Also, the Blue Banister’s production is probably the simplest she’s released and it lacks a melody. Text Book is good but it sounds similar to the production of her past eras. I feel like people are equating personal lyrics and more stripped down songs to be more mature and therefore better songwriting. To me, something like AKA is way more impressive considering how unique and innovative the whole thing is, especially given the fact that nothing else sounds like still today this day AND she released it as an indie artist. Also, if you are praising her being so personal now, um hello? Pawn Shop Blues was released 11 years ago. I’m not saying these songs aren’t good or that it’s not interesting to see Lana evolve, but I don’t get how people are losing their minds over these 3 songs when she’s released AKA, UV, NFR, and BTD in the past, which may not be as personal or “mature” sounding, but were/are far more innovative and interesting given the period of time they were released in and in general imo.
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17 likesLet’s say, she is releasing two albums back to back. Is the pandemic the reason why she‘s able to pull it off now (either Ben or Ed said that), because she has a very good reason not to tour? But then again she accompanied Nikki Lane. Or is it because her muse is just this strong now? So much mystery, very intriguing
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17 likesThe whole discussion of music Lana wants to make vs. music fans want her to make is totally moot. There is only one Lana Del Rey. She's only ever gonna make the music she wants to make. If she didn't, she wouldn't be Lana Del Rey. Of course, nobody has to like it, but you're gonna get what you're gonna get. As for the production, all three songs have very layered and deep production. You don't have to like it, but to act like it's amateurish and unintentional is just bs.
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17 likesgod this tired ass argument again? no one, and i mean NO one, wants this from lana. no one. wanting some strings, beats, bass, mixing that doesn’t sound like it was made by amateurs, whatever isn’t asking for pop or “shake your ass" music. and wanting this type of production or anything that sounds as good as her production pre-nfr isn’t wanting BTD 2.0 either. she can make art, and she used to, with productions that are far more interesting or different than simple piano or over saturated fake drums. if y’all enjoy the garageband pianos great but accept that there are people who don’t.
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17 likesWhat– I don't hate you. I don't hate these songs, but here's the deal: I'm seriously tired of this type of discourse and counter-criticism, it's like whenever someone says "well derr I'm not sure about this/these new song(s)" or "I don't like this new song because of x reason(s)" there is always that one person that comes along and discredit people like "UGH WE GET IT YOU WANT LANA TO DO BORN TO DIE OR ULTRAVIOLENCE 2.0 GET OVER YOURSEL!!!!1!". It's like people can't just not like a new song/album, because they just don't like said new song/album. Normalize not liking something Lana does while not necessarily wanting her to release material that harkens back to a specific time and place in her career. I'll even go one step further, normalize just not being enthralled with her approach on specific albums, because you have like opinions and personal preferences. I know this will sound annoying to some of y'all coming from me, the so called no. 1 NFR or Jack hater, but I said what I said.
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17 likesI think 'Serene Queen,' cut from LFL as we know, had a vibe that was both 'futuristic'/techno-ish and 'witchy.' It's one of my favorite leaked tracks.
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17 likesSo basically more Stargirl Interlude songs same, my friend
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16 likesThis feels like a vicious circle ANYWAY Choose the next topic: - Morricone when - Collabs on BB? Madonna? - Covered song on BB? - Lyrics of Dealer? - release date?
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15 likesI had a vision... a vision of tracklist & album cover reveal + pre order and it being her serviest album cover to date nadia lee please come through bestie! June 1 we're counting on u
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15 likesSee, I think the opposite. I think the distorted affect adds a level of depth to the song that makes it so unique and even more genius. It was clear to me on first listen that the distorted sound was intentional and it’s actually really well done. Gives the song a level of imperfection quality, while actually being perfect. Mike Dean’s mind!!
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