Leaderboard

I can't wait for charli's 2021 album

at this point we should just call Dbree.org Charli's Google Drive cause whats's the difference

I vote to send @Sis to go back and count

no theyve just been writing together since the stone age

There is an idea of a Sky Ferreira; some kind of abstraction. But there is no real Sky: only an entity, something illusory. And though she can hide her cold gaze, and you can shake her hand and feel flesh gripping yours and maybe you can even sense your lifestyles are probably comparable... she is simply not there.

AAAH... THAT'S HISTORY!

SORRY FOR THE DOUBLE POST BUT IT'S COMING. FFFFFFFFFFFFFFF. THE SINGLE THIS FRIDAY.

So i'm still working on a cover for the pop 2 demos but I ended up finishing the sessions cover. also made an alt version without the sessions text. feel free to use! extra! I forgot I never posted this cover either that I use for the demo versions of songs on XCX World

Hello everyone! In order to keep us entertained until more COCC songs are released, I created a list and analysis of my top ten Lana Outros (basically the last ~1 minute of the song). Lana's outros can be the most emotionally powerful parts of her songs and they are essential to some of the songs in her catalog. I based my ranking off my gut instinct, everything is subjective and just my interpretation of the song. Do not expect anything coherent below. These are my unhinged LB-emoji-interspersed ramblings. 10. The Blackest Day 9. Yes To Heaven 8. High By The Beach 7. I Talk To Jesus 6. Honeymoon 5. Raise Me Up 4. Mariners Apartment Complex 3. Cola 2. Flipside 1. Pretty When You Cry Honorable Mention So that's my list and reasoning. Rate or hate on my ranking or post your own! I am a UV/HM stan so my list is not very diverse Maybe if we're really bored we can play survivor with Lana outros or sumthing

I used to be a collector just like this tho I understand exactly where ur coming from but it’s like..... what is the point!!! I feel like it’s wasteful to have so many copies that are essentially gonna go unplayed, and it’s a waste of money. Just pick ur fave version and buy that!! That’s what I do now. I didn’t mean to be rude but I knew people were going to feel upset at what I said no matter how I worded it..... idk it’s just not worth it imo. Pick things that are meaningful to you... not just every copy of something so that u can resell it later 5x the price I have a bunch of lfl records just sitting around and I plan on selling them eventually (at the original price) once I get stuff organized but I would feel terrible knowing I’m making a fan pay so much extra for something they really want and may be breaking the bank to purchase... everyone is different but I think it’s good to at least be mindful of what you are doing and why

pop 2 is really untouchable huh. and track 10 is the song of the millenium.

why are people like this

yeah i just got used to the manic levels of activity in this thread lol

Maybe the real masochism was the friends we made along the way

We're all too busy organizing and listening to the leaks lol

the collective exhale when we saw the post had no caption lol

what I wouldn’t give to hear some of Honeymoon’s tracklist in their place I know it’ll never happen, but a performance of Swan Song with full instrumentals & Religion with live electric guitars..a dream

1.) Tulsa Jesus Freak 2.) COCC *COCC outro drums lead to West Coast intro drums* 3.) West Coast 4.) White Dress 5.) Get Free-Ride Medley 6.) Yosemite 7.) Wild At Heart 8.) California 9.) Dance Till We Die 10.) Video Games 11.) Religion - Cinnamon Girl Medley 12.) HIADTFAWLMTH-BIHI 13.) Not All Who Wander Are Lost ENCORE: -Pawn Shop Blues -Heroin -Cherry

Lmao the last time I posted here was January 2017 and the album still isn't out I....

Which reminds me we still dont have this version of Trophy yet The Politician | Trailer Oficial | Legendado HD | Netflix - YouTube

these "leakers" really think they will gain our attention or something by posting some lq snippets...when literally we got so many holy grails in full hq the past few days

L Devine would make sense but not Fiona It's most likely a troll editing that wiki.

Miss Ferreira deserves the extreme leakage that Charli has had in the past 5 years... And so we do.

Imagine a @LMAlejandro remake of The Party’s Never Over Wig

My heart drops with every notification QFTC ruined my brain

if she does a tour for COCC i want all the BTD songs cut off the setlist, not because i dont like them but they've been hoarding the setlist for the last 9 years also cherry and white mustang can go.. and pretty when you cry.. and young and beautiful

Girl, Lanaboards's still up on the internet cause of the Charli thread! And if I'm not wrong, it's the thread with most pages here so...

it's speculated that she doesn't perform a lot of honeymoon because it's very personal? i can see why, because religion, gkit, the blackest day, and even swan sang definitely seem personal, but i think it would be amazing for her to give this album some love and attention because it's my favorite alongside ldrakalg <3

not y'all making up a tour set list when she's not gonna be able to do a massive tour this year considering there's a pandemic if she does anything like that it'll be smaller shows and we all know she'll cancel the last leg. also not y'all adding COCC songs before we've heard them what if some tracks are raging hillbilly country folk?

I saw this thread was active & my blood pressure SKYROCKETED LMAO

The way If I Cried would have been the best song on HIFN if released

She was a vessel for god in the studio that day

Happy Now is probably my fav... it’s such a weird vibe for Charli lmao (the verse instrumental in particular) but it’s so good Yes omg 20 Steps totally deserved to be on Pop 2! I think that every time I listen to it

I just preordered the Krug vinyl from Fnac!

I thought it was already determined that daddy knows wasn't ever charli's song and it was just a cover

girl there's nothing to keep up with really

Hope we never get daddy knows and y’all are forced to listen to the version Eyelar releases

these new songs...

happy 4800 pages

Obviously I can't stop anyone from saying things, but it's all based on 'he said she said' with no proof to substantiate those claims other than people insisting they know things they don't. It's okay; thank you for understanding To those asking for songs, I don't have anything - I shared everything I had and left the site because my job was done. This account was never about power, teasing, or lying like all of this Dbree/Discord nonsense. There are much more serious things happening in the world than Charli leaks and I want to remind those who are young fans caught up in leak/dox/harassment drama that they have the power to step away from the Internet and focus on real life before they dig a deeper hole with very bad people (hackers, scammers, etc.) who are taking advantage of them. This is the last post I will make, thank you to those who have always been kind <3

Lana Del Rey released her third major-label studio album Honeymoon on September 18, 2015. The spacey, soothing record finds Del Rey at her most introspective and lyrically and sonically artistic: she goes on a mysterious honeymoon with herself in order to re-invent her self-perspective, ambitions and wishes. The album has such a deep sense of thinking that it feels like she's time-traveling through her mind, re-evaluating her past experiences with love, drugs, alcohol, analyzing her very present (which is now her past) as a woman and celebrity and projecting her wishes for the future (now her present onwards). Perhaps the reason she decided to make such a self-examining, vain and almost psychological album is the 'post-Ultraviolence trauma': her dark, self-destructing 2014 release, which Lana herself admitted it "went too far". However, it was necessary for her growth and evolution as a depressed being: her broken state of mind was clearly expanded throughout Ultraviolence. The time-travel is also represented in the production: the smooth mix of jazz-influenced instrumentation, trap beats that go backwards and forwards endlessly, operatic and retro-filtered vocals, a balance between programming and live recordings and, of course, the non-existent space between the songs -- Honeymoon is a gapless project. The ambitious album opens with the cinematic, orchestral title track: it functions excellently as the opening song as it describes the absence of this troubled man Del Rey is longing for. She calls him "elusive" and at last embarks on this honeymoon with herself. Her trip included no other than the most Lana Del Rey destinations: Beverly Hills, Santa Monica, Malibu, Hollywood (location that would later be the stage of the following record, Lust for Life) and also New York and Florida. "Music to Watch Boys To" is a sensual, playful number in which we find Lana taking, for the first time, a more dominating, empowered role: she's hypnotizing men with her echoed "I like you a lot so I do what you want", though it is "all a game to [her] anyway". She's watching them fade, fall one by one as she plays some Caribbean-influenced music and drinking lemonade lazily. However, this character is not strong consistently: the slow process to inner peace, happiness and independence has its highs and lows, and that is exposed in the vulnerable "Terrence Loves You". Now all the bad men are gone, but there is one that still haunts her: "I lost myself when I lost you", she sings in a jazzy tone. All the lines indicate she's describing her breakup with Barrie-James O'Neill, who Ultraviolence was mostly about, making these two projects sister albums: two chapters of the same story. After being stuck in the past for a few minutes, we fly gently to the present: in "God Knows I Tried" she expresses that fame was not as she expected. The lyrics suggest she has her breakdowns alone in her room, lamenting everything she's going through; however. "I feel free when I see no one and nobody knows my name". At this point, it is clear that Honeymoon is not like Del Rey's previous works, where production shined for its grandness and claustrophobic nature: this time, she is inspired, alongside producers Rick Nowels and Kieron Menzies, by ambient music and minimalism. There is so much space to breathe, to think, to stay silent, to sing as high and low as she can, to penetrate the words into your mind, to let the instruments and sound effects melt with each other. The following track introduces an entire section of the album: we are in the present, as we noticed with "God Knows I Tried", but now the background music accompanies the travel: Lana Del Rey says welcome to trap music for the first time in her discography. Something must have happened when they were sent, though, because there's slightly different from what we know as trap: they're muffled and distorted or, how she calls it, muddy. The pioneer, forward-looking "High By the Beach" shares the same concept as the previous track, but instead of being reflecting alone in her house, now she's outside, ready to fight whoever obstructs her path, especially those who wish to attack her privacy. There is a feeling of danger and assertiveness -- she dreamily expresses her mundane wish to smoke weed in the shore, an activity most humans would enjoy without any problem, but she as a celebrity has to carry an enormous gun to shot down an helicopter full of paparazzi. Of course, this is a metaphor (though I am sure Lana, more than once, wanted to actually do this) to people wanting to know everything about her and questioning her so-talked-about authenticity and how she's using her ever-growing music to fight them. In this time and space she has found a new interest, a man of "leather black and eyes of blue" she begs him to "come to California" to be a freak with her and escape. She is aware of time even in the way they listen to whatever 70s band is playing: "We could slow dance to rock music". "If time stood still," she says, "I'd take this moment and make it last forever". The experimental "Art Deco" is perhaps the song that defines the sonical world of Honeymoon the best: back and forth beats, soft orchestra, layered vocals, timid yet epic saxophone and subtle electronic effects that sound like psychedelic drops of water. The record is separated in two by a trippy, on-loop-like interlude: Lana is reading a part of "Burnt Norton", a poem by T.S. Eliot. The work explains that one individual, in order to grow and achieve peace, must momentarily leave the metaphorical space and forget the limits of time they're in and start to look into themself, a dimension where is always present. "Time present and time past," she reads, "are both perhaps present in time future / And time future contained in time past." The poem is part of Eliot's Four Quartets, a collection that "symbolically represented the completion of his former poems and his moving onto later works," very much like Honeymoon. In the following second half of the album, the present is set and there's no more traveling to the past -- we are, however, thinking and reflecting of it (which is different than dwell in it). The concept of escapism is the protagonist here; perhaps as a way to avoid the future or, oppositely, to actually travel to it -- to escape from this present of pain and uncertainty. In "Religion", this time lapse is depicted just like that -- yes, her past is gone and "everything is fine now" but it's still the present and it's haunted. "You're my religion," she sings layered endlessly, "all my friends say I should take some space / But I can't envision that for a minute". In the song, Lana has fallen on the philosophical question of what to do when things are fine -- when the tangible horror is gone, what is next? Post-trauma feels like that. It's a void; you're not there anymore but the experience is now within you. In the bridge, the instruments go back and forth, as an effort to time-travel again, but it fails and we continue the story in the epic "Salvatore". What's around her is described, just like in "Religion", as fine -- gleaming lights in Miami, beatboxers and rappers by the beach, jazz and blues. However, the hypnotizing, empowered chanteuse from "Music to Watch Boys To" is back: she half-lies, borrowing the melody of the romantic "Careless Whisper" by George Michael, "The summer is wild and I've been waiting for you," only to play with her lover's mind again -- "Catch me if you can." And we're back to the lows. Exquisitely positioned towards the end of the album, the spectacular centerpiece "The Blackest Day" is the result of so much thinking, lamenting, healing, speculation, delusion, time-travel and mind-playing: the ultimate breakdown. "Carry me home," she demands with her blue nail polish on as a tense pad plays in the background. "I don't really want to break up / We got it going on / It's what you gathered from our talk but you were wrong," again lost in the past. Like in "Religion", the present is such an empty concept for her now that there's nothing left to do other than go on. She finds no words to explain her state, this feeling of her life being one long dark day ever since that happened. So much soul searching has made her fall "deeper and deeper" and now she finds herself "looking for love in all the wrong places," making every word more dismal with a dramatic "oh my God!". Now the music is enormous; the sonic landscape of Honeymoon has so much empty space that it let "The Blackest Day" fill it all with its progressive music structure, ethereal, FKA twigs-like synthesizers and sawers and gentle, post-rock drums, beats and overall production. She is in denial with the future and what it takes to get there: "There's nothing for us to talk about / There's nothing for me to think about." At the end of the song, she has no other option than to accept her reality, because that's exactly what she needed: she already embraced her past, and now it was time for the present to receive the same treatment. "I'm on my own," she sings in a tone of isolation. In the cinematic "24" she depicts her lover as a liar and a dog with fleas, only to slowly find peace with herself in "Swan Song", an ode to escapism and isolation. The fact that this process felt like one long day is strong as she sings "The world can change in a day if you go away". "Let's leave the world for those who change everything," she says apocalyptically, "Let's just get lost if that's what we want." It is also a reference to the 'white tennis shoes syndrome': the feeling that makes it seem as though there's always something interrupting us from doing our most important (and also most difficult) task. In her case, getting to a better place mentally and emotionally -- the worst of procrastinations. "Why work so hard when you could just be free?". Entelechy at its finest. The album closes with a cover of the classic "Don't Let Me Be Misunderstood", where she sings "No one alive can always be an angel", justifying her ever-changing and postponing behavior throughout the project. She is trying, and her intentions are always good: she only needed space and, of course, time, for no one to interfere with her thoughts and, what she fears the most, misunderstand her. However, she must know (as she does on Lust for Life), total isolation does not do, especially when the relationship with oneself has been broken and tortured.

dream COCC live show setlist? either for something online or in person, whenever that might be. tbh i could see her not doing a tour or anything much live for this record but who tf knows. and obvs we haven't heard any of the album tracks yet so i'm using place holders for those, and based the # of songs on an average show length from NFR tour. obviously leaned heavily on newer stuff, esp since we didn't get to hear much of NFR live last tour. put in video games only bc she always does, and brooklyn baby next to white dress bc it's a looking-back-on-lizzy song too: 1. COTCC 2. cruel world 3. brooklyn baby 4. white dress 5. COTCC song #3 6. TLY 7. LMLYLAW 8. COCC song #4 9. FILLY 10. the greatest 11. COCC song $5 12. COCC song #6 13. HIAB 14. COCC song #7 15. COTCC song #8 encore 16. freak 17. vdeo games 18. honeymoon

Same! I was thinking „Please not something problematic”...

Gonna say it again. How did Up & Down not get released? Atlantic Records bumped their heads... A GLORIOUS bop... I will work for them and direct the music industry

and wendy williams

The Family Jewels is flawless and nothing shall be replaced. That's that on that. If anything, more tracks could have been added.