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Showing most liked content on 11/05/2023 in Posts

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    Revisiting N1A and White Roses is such a Charli song. No one else could pull that off the way she did.
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    I find her unreleased songs in Lana Del Rey era (+ AKA) too perfect that they should be untouched. I think she should rework anything that's unfinished like Sugary Sweet and Ave Maria (Ave Maria's production is too godly to leave it behind) or something like that (Valley Of The Dolls is too perfect to be reworked again, sorry). I think she should also lyrically re-use the pre-chorus in the first Lust For Life demo, the "but it funny how some things change..." and "wild-caged animal" part. But my favorite Lana unreleased is A Star For Nick and it would be super cool to see if it has a new production which isn't totally acoustic. Like with some strings and maybe some hazy synths + electric guitar behind. I love how passionately you love Barrie collabs, honestly as you should they're such amazing songs
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    The "To Lana Del Rey" at the top has me screaning... this is insane and cringe. And condescending. To mother. And so embarrassing to make this so public. They needed to have just dm'd her all this because trust me she is not gonna react with humility and grace to having her own fans basically write a petition telling her she's ignorant and seeing it after it's already been seen by thousands of people 💀
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    Till I Die, Communication, Stay, Ice Cold (new), Peer Pressure, Make You Mine and a lot more
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    Her third victory in that category! First time for Born To Die in 2012, second time for Honeymoon in 2015 and third time this year for Ocean Blvd!
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    I truly respect her wish for privacy, but I also really wish we'd get more looks into her creative process every now and then to make up for how little anyone sees or hears from her. Like, we don't need to know what she buys at the grocery store, who designs her underwear, or where she bought her latest keychain.. We just want to get a closer look at what it looks like when she's in her creative space. For someone who wants her fans to be so connected to her, she allows surprisingly few opportunities for that these days. But I guess that's the double edged sword of her career- she wants connection, but not the attention and expectations that it comes with.
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    kintsugi always used to sound so quiet on spotify for me but i think they’ve fixed the mixing because it sounds normal for me now?
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    It's interesting that the photoshot is her in the room, as the album sounds like secrets said inside. It's a personal album that she didn't need to force. She's wanted to tell these reflections for a long time, but only now did it come out in such an organic way (Blue Banisters was a beautiful bridge). We wanted to hear the intense adventures, but it's the type of album that a woman, at her age, would make. We are still so young and so inexperienced. We have so much to learn, that I think about how this album will sound when we are adults and the same questions presented are relevant to us. Another thing: it's bizarre how her discography, in chronology, sounds like a coming-of-age and discovery story, which, if she wanted to end it here, would be a great ending. At the same time, it seems like just the beginning of much more to come! It's crazy to think that she's on her NINTH album and still maintains the same level of interest from the public. We WANT to see what she does next. In the last two years, she has resurrected her career.
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    Yesterday they replaced the files on streaming and allegedly it's better now. I can still hear it on Style but whatever
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    I want to be friends with the people who crashed the weather report on my local news and held up phones with Palestinian flags on them I wish I had the clip cos it was actually rly funny cos the weather dude had nfi what to do
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    TV in Black & White Queen of Disaster Kinda Outta Luck Driving in Cars with Boys Hollywood (develop and make it more in vein of sound of the rest Paradise songs)
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    i'm so proud of her for this book <3 if only she couldve gotten help after justin tore her heart apart I don't think much of everything else in her life wouldve happened. what an asshole
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    Giving me flashbacks to when I ditched school years ago to watch age of adaline and sat like a clown through the entire credits with my phone ready to record thinking that Life is Beautiful was about to play at any moment
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    Motion Pine Apple 2hot Bad Girlfriend Screamer I’m Hard To Love Obsessions ATAP with Ty $ Shortcut To Paradise Song 1 (KISS) Rockstar Destinys Child Go Up Be My Valentine Money (Pull The) Trigger No Romeo Be There Moonlight (Solo) Gone (Solo) Nobody To Know Eyes Wide What You Gonna Do Now Attention Chemical Love Cry Baby Bubble Pop Arrows Cyber Girl In A Cyber World 4x4 Ice Cakes Closer Best Friends (Green Money in a Briefcase) Smile When I Found You We Believe Oxygen True Romance Kilimanjaro February 2017 (solo) Nowhere Go Your Own I Love It (Solo) Stay 2010 MNEK Songs Baby (ft. Lil Nas X) Yung Lean x Caroline Polachek collab Youre My Galaxy 360 BRAT titles even excluding all the 360 Brat songs there’s still so much abandoned / forgotten stuff to choose from for a mass. Santi XCX better come through (correctly)!
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    Omg we won! Do u guys think Chuck or Nikki Lane are gonna make a post about it or she won't know until we comment on her IG?
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    Ugh I need her to finally have a proper concert in Europe not a dumb festival again
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    The way we’re getting a new single in 2024 after the tour and the album in 2025!!! 😭😭 (me living in delusion)
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    She already explained this whole thing in her 2020 Billboard interview I started writing After School in 2017 with the intention of it being connected to K-12 as a little bonus thing, but I kept writing and so the 3 songs I intended on releasing ended up turning into a 7-song EP.
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    i still beg for someone to make a version of Eraser that will fit in the K-12 album plsss
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    I don’t usually do informative posts, but this caught my eye. There is a lot of confusion about the K-12/After School sessions and what is for which project. *1 Melanie originally claimed K-12 was done around July 16th, 2016, with only deluxe tracks still being worked on. - we know this isn’t true to the final tracklist, as Recess and Show & Tell weren’t done by this time. Some claim Show & Tell was an After School concept originally, but I don’t think that’s true. *2 May 2017 - Melanie states that she’s “finishing up bonus tracks”. *3 and in August 2017, in an interview, is summed up to saying: “standard tracklist is being mastered and that she’s finishing up the bonus tracks now”. Erase Her, Notebook, and Trophy were all recorded in June 2017, making them bonus tracks to K-12 originally, by Melanie’s own word. * She did say this in 2020 on Instagram: “I’ve been working on the After School EP since 2017." However, I interpret this to mean when Notebook was recorded. - I doubt she had the direct concept of After School when the June 2017 sessions were being recorded, especially when she refers to the deluxe for K-12 as “bonus tracks” in August 2017. 1: lost the source, but is factual. 2:https://melanie-martinez.fandom.com/wiki/K-12_(album) 3:https://www.billboard.com/music/pop/melanie-martinez-interview-cry-baby-second-album-7904990/
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    Same, but besides the fanmade mastered version, I don't want a single thing from that song to change! Yes! A mastered version of that would be everything. I'd almost never need to hear another song again
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    we all know fine china (rick nowels final version) is out there
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    Backfire, afraid, madly, fordham road, I talk to Jesus, next to me, queen of the gas station
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    I always believed Elvis deserved a fully produced revisit. I feel like it would sound SO gorgeous with how she sings now too... She'd probably do the song in a lower register, really pretty. Ugh!
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    Right? I cannot picture the Melanie that wrote A Million Men, Rough Love, Birthing Addicts, etc. writing shit like Class Fight or Nymphology. Just look at these(written around 28YO).. VS this for example(written when she was still a kid, with no help). We all know what made a lot of her art so special was the maturity and depth behind childish themes/titles. And her lyrics aren't all bad now, they just haven't evolved half as far as I expected them to. The leaks show that she's still capable of amazing writing if she lets herself outside of the box though so hopefully she ditches the forced concepts next time.. I can't handle another mediocre album from her.
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    is this the Miranda lady you are all always speaking about?
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